MetArt Gallery

Jade: "Define" by Gubin The Movie

Jade first appears in this film wearing a chocolate colored bra and thong panty set. A shimmering belt adorns the model's tiny waist and knee-high pale yellow stockings are part of Jade's attire. Gubin has chosen a setting that boasts a set of sliding glass mirrors and neutral colors against which to highlight the stunning good looks of this strawberry-haired model. The backdrop of this film adds a sense of intimacy to the movie. It is as if Jade has invited viewers to join her in the privacy of her apartment as she moves her flawless physique to the sounds of primal earthy music.

Jade doesn't waste much time before removing her bra to expose her full ivory-toned breasts. The sensual vixen allows her perfectly manicured hands to trace each and every curve of her form as she twirls and gyrates to the sounds of techno influenced music. Jade licks her lovely lips as she wraps her slender arms around her torso and sways to the mesmerizing sound track. The experience of watching Jade perform is, as always, enthralling. The seductress has an uncanny

ability to draw the viewer close and engage them fully in her presence.

The facial beauty of this model is unparalleled. Her aqua-colored eyes, classic nose, and finely sculpted bone structure are part of the appeal that lend to her unique appearance. The simple elegant way that Jade wears her auburn tresses is also a piece of her distinctive look. She encompasses the quality of timeless beauty that is equated with Met-Art's reputation. The model's appearance in this latest movie doesn't disappoint and is a testament to why some consider her a living, moving, breathing definition of feminine beauty.

Gubin uses varying degrees of lighting to compliment the allure of Jade. He also uses fading effects to add interest to the captivating film. Jade doesn't require many devices of cinematography, however. She is a model who manages to keep viewers riveted with her image alone. Her gaze can be described at times as haunting. She alternates between absorption in her own sensuality and that of beckoning viewers to join her in adoration of her flesh. The invitation would be difficult for anyone to decline.

The movie fades to white with the camera panning to the recessed lighting of the room in which Jade dances. The movie is over ten minutes long but its ending still leaves viewers wanting to see more of this diva. There is a sense of completion and satisfaction, however, upon its completion. Jade consistently uses all of her feminine wiles to present amazing films with Gubin.

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Karina B: "Axium" by Voronin

Karina appears without lingerie or jewelry in her latest appearance at Met-Art. This is a young woman who requires no embellishments to accentuate her phenomenal presence. The curves and lines of her ultra-feminine physique are heart-stopping without such adornments.

A sauna decked out in natural wood tones is the setting against which Voronin has chosen to frame this powerful model. Her skin is shiny with oil. Karina enjoys the sauna to cleanse her body's impurities and to keep her skin glistening with vitality. It is a place of peace and tranquility away from her busy routine of work, play, and schedules.

Voronin has chosen a photograph of Karina facing the camera full on. The model's eyes are mesmerizing. Karina cups her large breasts in both hands and poses in an almost lunging position. Every area of the model's toned body is slick with oil. The effect is titillating. This photograph beckons viewers to see more of this fascinating model.

There are several up close photographs included within this series of Karina's head and face. The close range only solidifies the complete beauty this youthful model holds. Karina faces the camera with her arms raised above her head in the next selected picture. Her glowing complexion, bright eyes, and glossy lips are hypnotic. The model's impossibly long straight brown hair emphasizes rather than distracts from Karina's natural allure. The models full breasts are showcased also with this photograph from a side view.

The next photograph will steal away your breath with its intensity. Karina's feminine treasures are vividly highlighted. Karina faces the camera with one of her legs propped against the wall of the sauna. This open stance reveals the slickness between her parted legs. The model's flat abdomen flows seamlessly into her slender torso. Karina's buxom breasts are bared to be savored by the eye. Tendrils of the model's hair are wet with perspiration and rest upon one of her shoulders.

Karina assumes almost the exact same position in another photo within the series but it is her backside that faces Voronin's camera lens. The model's damp hair forms a as it trails down her back. The roundness of Karina's buttocks is enthralling. The shapeliness of Karina's legs is also notable in this particular picture. The model's pretty facial profile is another aspect that catches the eye.

The last picture taken from this gallery exemplifies the artistic beauty and definition of this model's body. Karina kneels upon a bench nestled into a corner of the sauna. Her arms are outstretched above her head and her hands actually rest on the ceiling. Karina's head is thrown back to such a degree that the focus of the picture is clearly the physical fitness of the model and her supreme feminine presence.

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Zuzana & Annouchka: "Tresor" by Ingret

Shades of orange and melon dominate each photograph contained within this sensational series. Pulsing energy runs throughout this collection of pictures featuring Zuzana and Annouchka. Glossy orange walls and coral-colored tiles fill the backdrop of the photographs. A simple wooden chair is seen in many of the pictures.

Zuzana wears an orange and black garter belt with coordinating stockings. Annouchka is clad only in a pair of fishnet orange hose. Both models have long freely flowing hair. Zuzana's auburn tresses contrast against Annouchka's ebony shiny locks.

The photograph selected by Ingret for the cover of this series offers a glimpse of the intensity of the throbbing passions shared by these two dolls. Zuzana wraps her arms around Annouchka while she kisses the model's smooth shoulder. Annouchka's buttocks and the space between them are clearly visible. The breathlessness of the two women is almost palpable.

A smiling playful Annouchka is pictured with one of her tanned legs wrapped around Zuzana's voluptuous figure in the next picture. The auburn-haired model's full breasts and the well-groomed area between her thighs draw the eye. Annouchka's smile is dazzling.

Annouchka's exquisitely shaped derriere is the focal point of the next photograph highlighted from "Tresor". The dark-haired model leans against a wall while Zuzana crouches behind her. Zuzana peels the fish-net stockings off of her hips and bottom to reveal the smooth curves of Annouchka's buttocks. The picture is so erotically charged perhaps because it shares the intimacy of these women undressing one another.

Annouchka poses sitting upon a chair and is photographed by Ingret as she sweeps her ebony hair upward. The dark beauty turns her head to the side as Zuzana hungrily places kisses upon her slender suntanned torso. Zuzana seems to be working her way downward. This enticing photograph stirs the imagination and holds the attention.

The entire series is filled with action and movement. The setting created by Ingret expertly frames and fuels this aura. Ingret encourages the two models to explore the geography of each others bodies. The models are more than happy to oblige. Zuzana and Annouchka openly share their escapades with viewers in this gallery.

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Verotrois: "Golden" by Richard Murrian

Verotrois is a newcomer to the pages of Met-Art but she definitely makes a memorable impression with the few appearances she has made. Murrian is a master at presenting through the medium of photography the vibrancy of youth. The models that Murrian work with are always of the highest caliber. Verotrois is no exception.

The titling of this series perhaps was inspired by the flaxen hair and fairness of Verotrois. The photographer accentuates the model's attributes by using shades of gold as a backdrop for the photo shoot.

Verotrois' image is introduced with a cover photograph picturing her nude form sitting upon a bed accentuated with a wrought iron headboard, richly textured pillows, and geometrically patterned bedding. Gold painted walls surround the petite teen model. There are a lot of elements besides the breathtaking beauty of Verotrois that make this series successful on so many artistic levels. The model's countenance is decidedly demure in the cover picture for "Golden". Her legs are positioned in a way that hides her most intimate female anatomy yet the model's breasts are exposed.

Verotrois is like a blonde goddess of youthfulness. She first appears dressed in a black tank top embellished with silver eyelets and coordinating panties and sheer black thigh high stockings. Sexy black high heels adorn the model's small feet. Verotrois is dressed like a siren yet her face is full of innocence and almost void of cosmetic enhancements. This is a model who truly represents the often overused phrase of natural beauty.

Murrian captures Verotrois exhibiting a startling range of emotions throughout "Golden". In one photograph, the model lays on her stomach with Murrian photographing from a close range. Verotrois' gaze is direct and commanding. There are other pictures that show the model seemingly sad, contemplative, and pouting. Verotrois' modeling talents are staggering and showcased by Murrian's creative talents.

Another photograph picturing Verotrois laying upon her stomach offers a full view of her smooth and unblemished derriere. A charcoal gray comforter is spread beneath the model's nude flesh. The lines and contours of her youthful form are irresistible.

The final photograph featured from "Golden". shows an image of Verotrois posed in a kneeling position. She holds onto the headboard of the bed with one hand and rests her other hand across her abdomen. This picture reveals a view of the model's most intimate areas. The blonde stares at the camera with a half smile gracing her sweet lips and one can only wonder what kind of sensual thoughts are swirling through her mind.

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Natasha: "Etos" by Vitali Gubin

The sultry model Natasha is simply dazzling in her latest appearance at Met-Art. This ash blonde enchantress has an athletic body that titillates and entices each time she reveals her feminine treasures. Gubin is a pro at showcasing Natasha's vivacious presence with his artistic craftsmanship.

This setting for this photo shoot is a bathroom with an oversized garden tub surrounded by a wall of ceramic red and white tile work. Diamond patterned ivory walls are also a part of the background. The geometric patterns add texture and interest throughout the series though Natasha clearly maintains the spotlight. Natasha is nude from the outset of the gallery. A scalloped black leather belt adorns the model's curvaceous hips. A beaded y necklace encircles Natasha's graceful neck. Gubin and Natasha's minimal use of accessories results in an overall quality of simple sensuality.

The shot selected for the cover of "Etos". pictures Natasha straddling an edge of the round tub. The model poses with her elbow resting on her knee and with her face turned to the side. Natasha's eyes are almost closed. Her breasts are riveting in their perfection. A strand of beads lay upon her chest. The model's facial beauty is mesmerizing. Her expression is cool and inviting.

Natasha leans against the tiled wall built around the bathtub in the next photograph. She casts a smiling gaze over her shoulder in the direction of Gubin's camera. This picture captures the penetrating blue-gray eyes that are such an integral part of Natasha's beauty. The model's highlighted tresses are cut in long layers and frame her finely sculpted features. Natasha's lips shimmer with a hint of pink gloss. The edges of a scalloped leather belt can be seen at the small of the model's back.

The next photograph from this series again pictures Natasha leaning against the red and white wall, but Gubin gives viewers the opportunity to admire this model's amazing backside in this photo. Each contour of Natasha's physique is emphasized in this shot. She poses with her torso somewhat twisted and a lovely manicured hand rests upon one of her hips. The model's gaze is cast downward as if she is surveying her own toned and taut flesh. One of Natasha's pert breasts is visible due to the stance she assumes for this photograph.

The final picture highlighted from this collection displays a full frontal view of Natasha's physique. The model presses the side of her body against an ivory ribbed wall. Natasha's tanned skin tones contrast against the pale wall. A subdued expression dominates the countenance of the model.

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Lena: "Ethos" by Vitali Gubin

The model, Lena, possesses a type of beauty that is so flawless, it is almost impossible to believe. The close-up photograph highlighted from this series by Gubin underscores this initial impression of the dark beauty. Her image commands the attention from the moment she first appears.

Lena's facial features are so fine and delicate that one would imagine they were crafted by a skilled artisan. The model's features resemble those of a priceless porcelain doll. Lena's flowing black tresses frame her doll-like face. Her dark eyes are highlighted with well-defined arched brows. Her classic nose is perfectly placed. Lena's full lips glisten with a shade of rose. Lena's face is oval and her cheeks are slightly blushed and prominent. The overall effect of her facial beauty is startling.

The backgrounds for this series are simple and uncomplicated. The gallery opens with the model posing against a backdrop of a painting and wood tones. Lena lounges upon a contemporary green sofa and preens against plain ivory walls throughout a portion of the photo shoot. The series wraps up as Gubin captures Lena showering.

Lena is dressed as a seductress as this gallery opens. She wears a deeply v-cut sheer black baby doll top, pale pink bikini panties, and ebony thigh high sheer stockings. The second photograph highlighted from this series pictures Lena poised upon a wooden chair with the sheer top off her shoulders. The model's exceptional breasts are exposed and her slender arms are covered with sensual black net gloves. Lena is positioned squarely with Gubin's camera so that every detail of her beauty can be admired. Tiny square silver earrings adorn the model's earlobe noticeable because one side of her long mane is swept behind her ear.

The photograph showcased from this collection that highlights Lena's exceptional buttocks has an aura of modernism. The background is a simple wall and a single flower encased in a glass vase. A fringe of ebony beads encircle Lena's slender hips and lay upon her voluptuous buttocks. The model poses with her hands flat against the wall and only her facial profile can be glimpsed. The focal point of the photograph is undeniably her exquisite derri�re.

The most explicit photograph highlighted from this series is an image of Lena as she emerges from a shower. Her dark hair is wet and pulled to one side. A necklace of natural beads adorns the model's neck. A white flowing piece of fabric is draped over one of Lena's shoulders. The model's breasts, the curves of her physique, and the well-groomed area between her thighs are bared in this photo. This is a fitting finale for this excellent gallery by Lena and Gubin.

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Anna and Inna: "Misses" by Voronin

Inna is another one of Met-Art's many starlets. Her distinctive lips, fiery red hair, and flawless form make her one of the most unforgettable models that continue to make appearances at Met-Art. Inna is presented by Voronin in an unusually submissive and innocent role in the series "Misses". She is featured in the gallery alongside the ebony-haired model, Anna, whose beauty is equally breathtaking. Voronin has the foresight to pair two young women with equal yet contrasting attributes together for a riveting viewing experience.

The attire and the way the model's hair is styled lend itself to the illusion that fuels the imagination. Both women appear younger than what they truly are. Ribbons adorn the long flowing tresses of the women. The model's hair is loosely pulled into two pony tails and adorned with colorful bows.

Each model wears stockings that emphasize their long shapely legs. Anna and Inna pose without undergarments from the opening of the photo shoot. Anna is clad in a multi-colored blouse and white striped stockings. Inna is stunning in a lime baby doll top and coordinating hose.

Voronin captures the models posing with balloons and bubbles throughout the series. A bright white backdrop surrounds the two visions of beauty. The carefully chosen props and overall feeling of the gallery add to the theme of missies at play. Inna's amazingly full cherry lips are on display as she puckers to blow bubbles through a ring with Anna.

The cover photograph from "Misse". displays the images of Anna and Inna seated side-by-side upon a white floor. Anna's stocking-clad legs are parted at the forefront of the picture. Inna is slightly situated behind and to the side of Anna. The red-headed model poses with her ivory hands demurely folded beneath her chin. Both models reveal the pinkness between their parted thighs.

Anna and Inna next pose with a shiny red balloon. Anna holds the balloon while Inna traces it's circumference with a carefully manicured finger. Inna presses her forehead against the side of Anna's temple so that her refined profile is clearly visible. Anna boldly eyes Voronin's camera.

The two models are presented in the following featured photograph standing against a black pole. Each enchantress has shed their tops at this point. Inna pushes one of her breasts and her toned abdomen against the length of the pole. Anna wraps both of her hands around Inna's slender waist. The smoothness of the model's skin is unmistakable.

The final picture again reveals an image of Anna and Inna captured in a sitting position. Anna is positioned behind Inna with her legs open and her chest leaning into the back of Inna's shoulders. Inna tilts her head to the side and pulls her knees close to her breasts. The black pole in the previously described photo is present at the edge of the picture.

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Alisa C & Ruslana C: "Castigo" by Zesleder

Alisa and Ruslana exemplify classic beauty in its finest form. The two women are both natural blondes. Alisa and Ruslana are the best of friends and their fondness for one another is obvious as the photo shoot progresses. When these fair-haired vixens make an appearance together anywhere, they dominate that place with their presence. Their appearance here at Met-Art is no exception.

The models are dressed in complimentary white lingerie. Alisa wears a bra and panty set accented with pink hearts and ribbons. A pair of lacy thigh high stockings completes her ensemble. A delicate pearl necklace adorns her neck. Ruslana is dressed in a lacy white bra, panty, and garter set. Her garter is clipped to a pair of white stockings identical to those worn by Alisa.

Candlelight and a dimly lit chandelier provide the lighting for this sensuous series. The predominating ambiance of "Castigo". can best be described with the words sophisticated elegance. An impressive and intricate bureau is also a significant part of the setting against which the beauty of these models is highlighted.

The introductory photograph for this series pictures the women without their bras and panties. The model's still wear their stockings, but their most intimate treasures are openly displayed. Alisa presses her nude body against Ruslana. Both of the women eye the camera with conviction. They are confident in the power of their beauty.

The next picture featured from this collection highlights the distinct differences in these women's dispositions. Alisa is outgoing and bubbly. Her high-energy attitude is apparent in this photo. Ruslana is a more contemplative and reserved woman. Her expression in this picture reveals her gentle nature.

The model's stand side-by-side with their backs toward the photographer in the next photo reviewed. Alisa turns toward Ruslana and rests one of her hands on her friend's shoulder. The tenderness that exists between the two is obvious. Ruslana gazes over her own shoulder to dazzle viewers with her soulful eyes. A hint of a tattoo on one of Alisa's buttocks is barely discernable.

The full force of Alisa and Ruslana's impeccable beauty is displayed when Zesleder presents a frontal view of the two women standing next to each other. Alisa poses with her hands resting on her breasts and which her head tilted slightly back. Ruslana leans against the dresser positioned behind the models. The smooth parted flesh between their legs is impossible to ignore.

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Natasha G: "Emerald" by Gubin

There is an interesting legend associated with the emerald gemstone. It is said that the owner of such a precious stone is gifted with eloquence. Though this gallery doesn't integrate an actual gemstone, the color of emerald is an integral part of each photograph. It is the emerald decor of the bathroom Natasha poses in that surely inspired the title for the series. And Natasha is certainly a woman who possesses the quality of eloquence.

Studies have also noted that the human eye is more sensitive to the color green than any other. The emerald hues that envelop Natasha are innately soothing to the eye. The model herself also offers this effect with her appearance.

Natasha is featured throughout this series in surroundings dominates by rich shades of emerald. The blonde poses in front of a mirror and deep green vanity. Wall border and other decorative accent pieces are shades of emerald as well. Strands of iridescent peach beads adorn the model's chest and encircle her slender waist. The shade of the beads compliment Natasha's skin tones and contrast in a startling way against the abundance of emerald colors present.

Nude-colored thigh high stockings cling to the model's athletic legs. She wears a pretty peach bracelet on one of her slight wrists. Gubin has done a fantastic job of using unusual accessories to showcase the supreme physique that Natasha is so often recognized for.

Natasha embodies exuberance and vitality. The introductory picture from "Emeral". is a testament to these personality traits held by Natasha. The slim model rests her buttocks on the edge of a sink. Her long blonde hair frames her lovely face. Natasha's complexion glows with health and radiance. She has a brilliant smile that captivates.

Gubin highlights Natasha's smile and hypnotic gaze at close range in one picture. She leans casually against a smooth glossy tiled bathroom wall. Her facial features are refined and draw the attention effortlessly. Raw positive energy seems to radiate from Natasha's image.

The model climbs on top of the sink and assumes a kneeling position with her backside bared in the direction of Gubin's camera. Natasha turns her head to the side so that a profile view of her pretty face is visible. The shapeliness of this model's buttocks are enthralling. Natasha offers an opposite view of her front side as she sits upon the sink facing the camera. The model's fair hair is untamed and wild. This is the overriding sense that is present throughout the entire gallery. "Emerald". contains a unique glimpse of Natasha's unreserved and free spirit.

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Natasha: "Sinful" by Vitali Gubin

Gubin has put together a gallery that integrates the qualities of modernism against which to highlight the charm of Met-Art favorite, Natasha. A backdrop of orange and black walls and a black contemporary sofa are part of the setting for this photo shoot. Orange circles, lime green diamond shapes, and black stripes are geometric patterns that add interest to this unique series.

Natasha first appears with her ash-blonde tresses upswept so that her lovely face is visible without any obstructions. She wears a tiny black shirt that reveals her ultra-flat stomach and slender tapered waist. A pair of lime green panties and coordinating socks are also part of the attire worn by Natasha. A belt encircles her hips.

Gubin chose a cover photograph to introduce this series that showcases Natasha's phenomenally toned buttocks. This model's physique is athletic and lithe. In this photograph, she kneels on the back of an ebony sofa that blends into the background so that the couch is almost indistinguishable. Natasha's bronzed skin tones slow against the dark backdrop. A belt composed of lime geometric diamond shapes lays upon her naked flesh and accentuates the model's figure. Natasha is pictured with an over-the-shoulder glance in the direction of Gubin's camera and her beauty is mesmerizing. This model's eyes are penetrating and are one of her most defining features.

Natasha also poses in a stance that features a profile view of her amazing form. Gubin captures a side view of the model as she begins to shed her tiny panties. A demure smile graces Natasha's lips. This photograph reveals how slender this model actually is. Her firm and pert breasts are also a focal point of this picture.

Gubin uses shadows and a dark background so effectively throughout this series. Natasha is clearly the centerpiece of the series without a complicated background or an abundance of props. The model continues to remove her panties in the following photograph. She sits upon the sofa with one foot raised as her panties are about to be tossed aside. The darkness between the model's legs is visible and a silver chain draws the attention to this space. The model retains the embellishment of her belt and a silver choker adorns the model's graceful neck.

The last photo featured from this gallery presents a frontal view of Natasha in a kneeling position. The model turns her face to the side and allows her arms to rest at her side. Her hands lay upon her thighs that are slightly parted. Natasha has fully removed her clothing and a full survey of her breathtaking form is possible.

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Julia V & Yana C: "Malizia" by Poberejnic Lilia

Julia and Yana are dressed in simple cotton dresses and kerchiefs that cover their long tresses as this gallery begins. The are vivid splashes of color woven into the surroundings of the women. The two models are seated upon chests and there are several touches of nostalgia integrated into the setting as well - black and white photos, woven baskets, and lace. The blend of items placed together in the background of the series is intriguing.

Julia and Yana first begin sharing treasures with one another and talking about the items they have found in their surroundings. The scene is reminiscent of two girlfriends spending a rainy afternoon together in an attic exploring forgotten treasures. As "Malizi". unfolds, it is evident that Julia and Yana are about to delve into the exploration of the uncharted territory of each other.

Though the series focuses primarily on the two models together, the photographer also provides many photographs of each model individually. This allows viewers the opportunity to appreciate the unique charms of each model independently. A basket of ripened sweet corn is a dominant prop throughout much of this gallery. Lilia captures the two models posing with an ear of corn in such a way that jump-starts the imagination.

A soft image of Julia and Yana embracing in the nude is the main composition of the cover photograph introducing "Malizia". Both models are lost in the smoothness and warmth of one another's bodies. The intimacy between the two is palpable.

Lilia offers a close look at the natural beauty these two enchantress' possess in the next photograph. The blushed cheeks and shadowed eyelids of Julia and Yana are subtle but emphasize their shared vitality and youth. The background is almost nonexistent in this picture. The focal point of the still is clearly the faces of these alluring models.

The women aren't afraid to express their playful side for the camera either. The following picture reveals the buttocks of Julia. Her white and pink dress clings to her slender waist. Julia is laughing and Yana flashes a smile in the direction of Lilia's camera. Yana's long wavy hair hangs in ringlets around her face.

The last picture reviewed from this gallery is a full view of the physiques' of Julia and Yana. The models are seated upon weathered chests with their flesh totally exposed. A long strand of beads hangs from Yana's neck and trails to the darkness that rests between her parted sides. Julia is seated beside her and the model's pert breasts are bared.

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Lena: "Ethos" by Vitali Gubin

The model, Lena, possesses a type of beauty that is so flawless, it is almost impossible to believe. The close-up photograph highlighted from this series by Gubin underscores this initial impression of the dark beauty. Her image commands the attention from the moment she first appears.

Lena's facial features are so fine and delicate that one would imagine they were crafted by a skilled artisan. The model's features resemble those of a priceless porcelain doll. Lena's flowing black tresses frame her doll-like face. Her dark eyes are highlighted with well-defined arched brows. Her classic nose is perfectly placed. Lena's full lips glisten with a shade of rose. Lena's face is oval and her cheeks are slightly blushed and prominent. The overall effect of her facial beauty is startling.

The backgrounds for this series are simple and uncomplicated. The gallery opens with the model posing against a backdrop of a painting and wood tones. Lena lounges upon a contemporary green sofa and preens against plain ivory walls throughout a portion of the photo shoot. The series wraps up as Gubin captures Lena showering.

Lena is dressed as a seductress as this gallery opens. She wears a deeply v-cut sheer black baby doll top, pale pink bikini panties, and ebony thigh high sheer stockings. The second photograph highlighted from this series pictures Lena poised upon a wooden chair with the sheer top off her shoulders. The model's exceptional breasts are exposed and her slender arms are covered with sensual black net gloves. Lena is positioned squarely with Gubin's camera so that every detail of her beauty can be admired. Tiny square silver earrings adorn the model's earlobe noticeable because one side of her long mane is swept behind her ear.

The photograph showcased from this collection that highlights Lena's exceptional buttocks has an aura of modernism. The background is a simple wall and a single flower encased in a glass vase. A fringe of ebony beads encircle Lena's slender hips and lay upon her voluptuous buttocks. The model poses with her hands flat against the wall and only her facial profile can be glimpsed. The focal point of the photograph is undeniably her exquisite derri�re.

The most explicit photograph highlighted from this series is an image of Lena as she emerges from a shower. Her dark hair is wet and pulled to one side. A necklace of natural beads adorns the model's neck. A white flowing piece of fabric is draped over one of Lena's shoulders. The model's breasts, the curves of her physique, and the well-groomed area between her thighs are bared in this photo. This is a fitting finale for this excellent gallery by Lena and Gubin.

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Lidiya: "Libra by Sunrise

Lidiya is an adorable teen model whose most outstanding features have got to be her spirited smile, freshness, and unblemished creamy flesh. Her presence embodies youth and confidence. Lidiya is a model who is comfortable in front of the camera with or without clothing. It doesn't take her long to shed her lingerie even as the first photographs of the gallery are presented.

The Zodiac Sun Sign of Libra is associated with balance. The titling of the gallery by Sunrise is so fitting because Lidiya possesses the perfect balance of innocence and feminine prowess. This model is well aware of her budding femininity.

"Pretty in pin" is almost a clich� but this description is so appropriate to describe the model's appearance when she is first presented wearing a pink bra and thong panty set. Her lips are colored with a matching shade of rose. The photographer, Sunrise, has created a soft princess-like setting for this photo shoot. Tawny faux-painted walls, butter-colored silk bedding, and ruffled pillows are the elements that combine to create this atmosphere. Lidiya is all smiles and seems to be right at home in her surroundings.

The title picture for this series presents an aerial view of Lidiya as lay on her back beneath the camera of Sunrise. This camera angle enables the photographer to capture the full length of the model's body. She is surrounded by satiny pale yellow material as she looks upward. The model's eyes are clear and vibrant. The area between Lidiya's slightly parted thighs is revealed. There is a lot for viewer's to take in as this introductory photo is surveyed.

Lidiya's gleaming show-stopping smile is present in a shot that clearly focuses on the model's flawless facial beauty. Her sleek bobbed hair rests upon her shoulders that are bared. Lidiya's nails are painted a lovely shade of pink to match her bra and panty set.

The model is posed in a sitting position with her back against the muted tawny and ivory wall in the next photograph. One of her hands is pressed against the wall while she holds the other close to her angelic face. Lidiya's breasts, her flat stomach, and the well-groomed area between her thighs are visible in this picture frozen in time by Sunrise.

Lidiya turns her backside in the direction of Sunrise' camera in the last photograph featured from the "Libr". series. The model flesh is unbelievably smooth and creamy. The accent material chosen for the setting for this photo shoot retains many of those same qualities Lidiya's skin is like buttery silk. Her beauty is soft and gentle in many ways. Her presence is reminiscent of a darling little princess. Sunrise, with the help of Lidiya, has created a dazzling gallery.

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Dasha B: "Presenting Dasha B" by Goncharov

Goncharov creates a sense of intimacy and drama with the use of setting, costuming, and lighting while photographing Dasha. The youthful blonde-haired enchantress is clad in a champagne-colored corset and nude fishnet thigh high stockings. The corset is secured by a zipper that the model has partially unzipped to reveal a hint of her cleavage. Dasha noticeably appears without panties from the outset of the gallery.

Coordinating champagne-hued drapes edged with tassles, ivory sheers, and white bed lines provide princess-like surroundings in the opening pictures. Goncharov includes landscape and portrait style photographs throughout the series to frame the graceful beauty of Dasha. The photographer captures an astounding array of intriguing poses of Dasha.

The model's shoulder-length blonde hair is styled naturally and very few cosmetic enhancements are used on the model's face. The subdued color palette and the innate prettiness of Dasha are part of the appeal of this debut appearance by the model.

The cover picture of this gallery is an image of Dasha nestled amidst the folds of cascading curtains. The model is looking downward with a gentle countenance upon her face barely discernable beneath wispy blonde bangs. The smoothness of Dasha's bottom and the space between her thighs is visible as the model shifts her slight weight on her arms positioned behind her.

Dasha lowers the zipper on her corset even further in the next showcased photo. The blonde's natural breasts with delicate nipples are the focal point of this shot. Dasha is seated at the edge of the bed with drapes flowing behind her. The model's attractive facial profile is captured in this picture.

Goncharov offers sensual views of Dasha's bottom in many of these debut photographs. The selected picture from these shots show Dasha laying on her stomach at the edge of the bed with her backside at the forefront of the picture. The model leans into the gossamer white sheets and offers a partial view of her face.

The latter part of this gallery features Dasha in a variety of poses with a black leather sofa. The fairness of the youthful model contrasts starkly against the darkness of the furniture. Dasha sits on the arm of the couch with one of her feet touching a hardwood floor and the other resting on the sofa. The model's gaze is direct and teasing. Dasha pulls at the zipper at the center of her lingerie as if she is ready to reveal what lies beneath.

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Natasha: "Wonder" by Voronin

Voronin provides several close-up photographs in this series that allow viewers to appreciate the dazzling loveliness of Natasha. This model's large expressive gray eyes, classic nose, oval face, and stunning mouth culminate into a picture of untainted beauty. She possesses a brilliant smile and her curly locks are ravishing. The loose tendrils that brush against the sculpted curves and definitions of her face add a dimension of sultriness to this phenomenal series.

Natasha is like a vision of a finely crafted doll dressed in a red bustier laced with hot pink ribbons. Matching dangling pink feather-like earrings adorn the model's delicate earlobes. A single pink ribbon encircles the model's tiny ankle in the cover photograph from the series. Natasha sits upon a polished hardwood floor with her slender legs slightly parted and with one knee pulled close to her torso. One of her thin arms rests upon a wall. The bodice of the bustier is loosened so that a glimpse of the stunning model's bosom can be gleaned. Neutral tones fill the backdrop of the photograph. The presence of Natasha shimmers against the subtle hues and tones.

Voronin provides another view of the model sitting on the floor in the next photo highlighted from this series. Natasha poses with her arms situated behind her back and with her long legs parted. Voronin presents a perfectly centered picture of this enchantress. The ribbons of her bustier have been loosened enough to reveal the model's perfectly symmetrical breasts. Her gaze is locked with the photographer's camera. The subdued lighting accentuates the tones of Natasha's flesh and gives the photograph an element of softness.

The model is equally stunning in more intense light as the next photograph illustrates. Natasha poses in a crouched position allowing her buttocks to rest upon the back of her heels. She holds open each side of her lingerie in a gesture that allows a view of her slim torso and firm breasts. Natasha's pink fingernails are noticeable in this photograph and the color coordinates with the hot pink ribbons accents that are so prominent throughout the gallery.

The last picture showcased from this collection truly captures the essence of the artistic perfection that Natasha possesses. She is the ultimate specimen of everything that is so mysterious and compelling about feminine beauty. Natasha appears like a goddess frozen in time against a silhouette of a half-moon shaped hint of light. This particular photograph is also a testament of the way Voronin has of speaking a thousand words via the channel of photography.

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Liza: "Pathos" by Voronin

Liza is topless from the outset of this photo shoot. Her firm breasts and toned torso are exposed. A black satin bow adorns the model's graceful neck and coordinates with the black high heels she wears upon her feet. A pair of spandex hot pink tights clings to the blonde's exquisitely formed buttocks as well as each curve and contour of her long slender legs.

Oversized windows covered with ivory sheers and beige curtains provide a neutral backdrop against which to showcase the extraordinary charms of Liza. A beige sofa with dark wood accents matches perfectly the deep tones of the hardwood flooring of the room Liza is photographed in. The flooring becomes the prominent background for Liza's image as the photo shoot progresses. The rich wood tones contrast vividly against the fair hair, eyes, and complexion of Liza.

The cover photograph introducing "Pathos". captures the ambiance of the series. Liza's allure is poignant. Her flawless image is profoundly moving in its perfection. The model's long blonde hair is fanned beneath her head like a golden pillow. Her face is turned to the side so that Liza's finely sculpted facial structure is discernable. The model lay on her back so that the entire length of her slim physique is displayed. Liza's legs are bent beneath her highlighting the lithe quality of her limbs.

Several shots of Liza's striking face are featured by Voronin. The model stands in front of cascading curtains. Her blonde hair is pulled back from her face revealing Liza's sweeping brows, glistening eyes, and glossy lips. Wavy tendrils of Liza's hair tauntingly cover her bared bosom. This is a photograph that tantalizes and teases.

The next photograph offers an image of Liza seated upon the shiny hardwood floor with her pink tights halfway removed. Liza is positioned in front of a sofa and balances herself with one hand resting on the floor. The model's other hand rests on her forehead. Liza pulls her knees close to her chest resulting in a glimpse of the intimacy that lies between her thighs. The model's high heels are in the forefront of the photograph. They offer a nod to the theme of sexy footwear that Met-Mag focuses on this week.

The stunning model is showcased in a standing pose in the final photo featured from "Pathos". Her hips are cocked to one side emphasizing the model's feminine form. The well-groomed area between Liza's parted legs is accentuated by pale bikini tan lines. One of Liza's hands rests on the side of her delicate face while the other is buried in her flowing mane of hair. Liza continues to hold her position as one of the favorite models of Met-Art readers with this latest appearance.

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Ulya B: "Digis" by Voronin

Ulya is a blonde beauty that makes a memorable impression with her appearance in this series photographed by Voronin. The model's blonde locks are wild and untamed much like the demeanor of this young lady. Ulya first makes her appearance wearing a black sheer bra and panty set. Ulya's prominent pink nipples press sensually against the transparent material of the ruffled bra. Her flesh glistens with highlights. An ornate necklace hangs from the model's neck and delicate earrings adorn her earlobes.

Ulya is photographed against the setting of a tiled bathroom. The photo shoot begins with the model posing while clad in lingerie. As the photo shoot progresses, strips away her bra and panties to reveal her nude form. Ulya moves into the shower and allows Voronin to chronicle this private time.

The cover photograph for "Digis". pictures Ulya posing in a standing position. Her slender hips are slightly cocked and the model holds her black panties at her side. Ulya's bra covers her breasts but she is presented bottomless. The model's cherry red lips are opened as if she is getting ready to say something ... perhaps she is asking if someone could assist her in washing her unblemished backside featured further into the gallery.

The next picture showcased from this collection presents an image of Ulya seated with her back against a mirrored sink. The model's bra rests just below her bared bosom. Ulya's thighs are opened to offer a glimpse of the shaved area between them. The blonde enchantress tilts her lovely face slightly and stares directly into the camera with her dark eyes. This close-up picture accentuates the natural facial beauty of this model.

Voronin offers a view of Ulya's curvaceous bottom and the flesh that resides between her legs. The model poses just outside of the shower with one of her legs propped against a white tiled wall. It is this position that allows such a generous view of Ulya's most intimate space. A profile view of one of the model's pert breasts is visible also. Random spears of greenery outline the edges of this photograph. Ulya's tanned skin shines against the backdrop of white tiles.

Ulya is completely nude in the final photograph reviewed. The model's face is upturned and clean water drenched her naked body. The interesting necklace worn from the outset of the series still adorns her extended neck. The model's fair hair is wet with water and hangs in damp waves away from her face. This photograph presents a full frontal view of Ulya's impressive physique. The entire series highlighting this model is impressive as you will see when perusing the rest of the photos.

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Natasha: "Wonder" by Voronin

Voronin provides several close-up photographs in this series that allow viewers to appreciate the dazzling loveliness of Natasha. This model's large expressive gray eyes, classic nose, oval face, and stunning mouth culminate into a picture of untainted beauty. She possesses a brilliant smile and her curly locks are ravishing. The loose tendrils that brush against the sculpted curves and definitions of her face add a dimension of sultriness to this phenomenal series.

Natasha is like a vision of a finely crafted doll dressed in a red bustier laced with hot pink ribbons. Matching dangling pink feather-like earrings adorn the model's delicate earlobes. A single pink ribbon encircles the model's tiny ankle in the cover photograph from the series. Natasha sits upon a polished hardwood floor with her slender legs slightly parted and with one knee pulled close to her torso. One of her thin arms rests upon a wall. The bodice of the bustier is loosened so that a glimpse of the stunning model's bosom can be gleaned. Neutral tones fill the backdrop of the photograph. The presence of Natasha shimmers against the subtle hues and tones.

Voronin provides another view of the model sitting on the floor in the next photo highlighted from this series. Natasha poses with her arms situated behind her back and with her long legs parted. Voronin presents a perfectly centered picture of this enchantress. The ribbons of her bustier have been loosened enough to reveal the model's perfectly symmetrical breasts. Her gaze is locked with the photographer's camera. The subdued lighting accentuates the tones of Natasha's flesh and gives the photograph an element of softness.

The model is equally stunning in more intense light as the next photograph illustrates. Natasha poses in a crouched position allowing her buttocks to rest upon the back of her heels. She holds open each side of her lingerie in a gesture that allows a view of her slim torso and firm breasts. Natasha's pink fingernails are noticeable in this photograph and the color coordinates with the hot pink ribbons accents that are so prominent throughout the gallery.

The last picture showcased from this collection truly captures the essence of the artistic perfection that Natasha possesses. She is the ultimate specimen of everything that is so mysterious and compelling about feminine beauty. Natasha appears like a goddess frozen in time against a silhouette of a half-moon shaped hint of light. This particular photograph is also a testament of the way Voronin has of speaking a thousand words via the channel of photography.

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Alisa C & Ruslana C: "Castigo" by Zesleder

Alisa and Ruslana exemplify classic beauty in its finest form. The two women are both natural blondes. Alisa and Ruslana are the best of friends and their fondness for one another is obvious as the photo shoot progresses. When these fair-haired vixens make an appearance together anywhere, they dominate that place with their presence. Their appearance here at Met-Art is no exception.

The models are dressed in complimentary white lingerie. Alisa wears a bra and panty set accented with pink hearts and ribbons. A pair of lacy thigh high stockings completes her ensemble. A delicate pearl necklace adorns her neck. Ruslana is dressed in a lacy white bra, panty, and garter set. Her garter is clipped to a pair of white stockings identical to those worn by Alisa.

Candlelight and a dimly lit chandelier provide the lighting for this sensuous series. The predominating ambiance of "Castigo". can best be described with the words sophisticated elegance. An impressive and intricate bureau is also a significant part of the setting against which the beauty of these models is highlighted.

The introductory photograph for this series pictures the women without their bras and panties. The model's still wear their stockings, but their most intimate treasures are openly displayed. Alisa presses her nude body against Ruslana. Both of the women eye the camera with conviction. They are confident in the power of their beauty.

The next picture featured from this collection highlights the distinct differences in these women's dispositions. Alisa is outgoing and bubbly. Her high-energy attitude is apparent in this photo. Ruslana is a more contemplative and reserved woman. Her expression in this picture reveals her gentle nature.

The model's stand side-by-side with their backs toward the photographer in the next photo reviewed. Alisa turns toward Ruslana and rests one of her hands on her friend's shoulder. The tenderness that exists between the two is obvious. Ruslana gazes over her own shoulder to dazzle viewers with her soulful eyes. A hint of a tattoo on one of Alisa's buttocks is barely discernable.

The full force of Alisa and Ruslana's impeccable beauty is displayed when Zesleder presents a frontal view of the two women standing next to each other. Alisa poses with her hands resting on her breasts and which her head tilted slightly back. Ruslana leans against the dresser positioned behind the models. The smooth parted flesh between their legs is impossible to ignore.

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Natasha: "Wonder" by Voronin

Voronin provides several close-up photographs in this series that allow viewers to appreciate the dazzling loveliness of Natasha. This model's large expressive gray eyes, classic nose, oval face, and stunning mouth culminate into a picture of untainted beauty. She possesses a brilliant smile and her curly locks are ravishing. The loose tendrils that brush against the sculpted curves and definitions of her face add a dimension of sultriness to this phenomenal series.

Natasha is like a vision of a finely crafted doll dressed in a red bustier laced with hot pink ribbons. Matching dangling pink feather-like earrings adorn the model's delicate earlobes. A single pink ribbon encircles the model's tiny ankle in the cover photograph from the series. Natasha sits upon a polished hardwood floor with her slender legs slightly parted and with one knee pulled close to her torso. One of her thin arms rests upon a wall. The bodice of the bustier is loosened so that a glimpse of the stunning model's bosom can be gleaned. Neutral tones fill the backdrop of the photograph. The presence of Natasha shimmers against the subtle hues and tones.

Voronin provides another view of the model sitting on the floor in the next photo highlighted from this series. Natasha poses with her arms situated behind her back and with her long legs parted. Voronin presents a perfectly centered picture of this enchantress. The ribbons of her bustier have been loosened enough to reveal the model's perfectly symmetrical breasts. Her gaze is locked with the photographer's camera. The subdued lighting accentuates the tones of Natasha's flesh and gives the photograph an element of softness.

The model is equally stunning in more intense light as the next photograph illustrates. Natasha poses in a crouched position allowing her buttocks to rest upon the back of her heels. She holds open each side of her lingerie in a gesture that allows a view of her slim torso and firm breasts. Natasha's pink fingernails are noticeable in this photograph and the color coordinates with the hot pink ribbons accents that are so prominent throughout the gallery.

The last picture showcased from this collection truly captures the essence of the artistic perfection that Natasha possesses. She is the ultimate specimen of everything that is so mysterious and compelling about feminine beauty. Natasha appears like a goddess frozen in time against a silhouette of a half-moon shaped hint of light. This particular photograph is also a testament of the way Voronin has of speaking a thousand words via the channel of photography.

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Yana B: "Flora" by Slastyonoff

Slastyonoff has created a dream-like atmosphere in this latest offering. The model, Yana, is photographed with a bounty of pristine fresh white flowers. The overall ambiance of the entire series "Flora". is one of peace and solitude. Yana reveals her innermost private time and private areas with viewers.

Yana's taut body is partially submerged in a tub of clear still waters in the introductory photograph. White blossoms cover much of her body and float in the space between her parted thighs. The model's face is calm and serene. She is clearly enjoying the relaxation the warm water provides. Stastyonoff captures an unobtrusive portrait of feminine beauty with this stunning picture.

The photographer comes closer to Yana in the next highlighted photo. It is the model's facial features that are the focus of this particular picture. Few cosmetic enhancements are present as Yana's face, shoulders, and one of her breasts is framed by a floating bouquet of flowers. A simple golden chain adorns Yana's graceful neck. The model's auburn hair hangs loosely.

Soft lighting dominates the third photograph featured from the "Flora". collection. Yana poses on bended knees in a bathtub. Her nude body is bared but the model's crossed arms occlude her breasts. A delicate golden chain bracelet encircles one Yana's wrists. The ends of the model's hair are wet from her bathwater. Yana puckers her succulent lips and gestures as if she is asking viewers to keep a secret. This photograph communicates through the medium of still photography so much about this young woman. A blossom is tucked behind one of the model's ears and a mischievous countenance is present in the features of her face.

The photographer offers a view of the model's backside in the final photograph reviewed. Yana's buttocks are full and round. Bikini tan lines are discernable at the place where her back melds into her bottom. Yana's legs are parted and her hands rest on her thighs. The model's hair styled in long layers trails down her smooth back.

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Jovanna: "Instinct" by Max Stan

Jovanna is an exotic beauty that exudes passion and sex appeal. Her black hair is tousled and grazes the slopes of her smooth shoulders. Her sleepy eyes are the holders of mystery and promises of the sweetest seduction. Jovanna is a girl who always keeps her lovers guessing. She's full of surprises especially surprises that include erotic explorations.

Red, a color commonly associated with passion, is prominent throughout this series. Crimson walls, scarlet furniture, and succulent ripe apples are present in most of the photographs. The real highlights of "Instinct". however, are the modeling performance of Jovanna and the creative genius of Stan who set the stage for her appearance.

The first image of the series is the photograph Max Stan chose as the cover picture for "Instinct". Jovanna is seated upon a sofa dressed in a leopard-print jacket and matching high heels. The shoes have ties that criss-cross a trail above the model's ankle. Jovanna's pretty face is turned to the side as she eyes Stan's camera with a "come-closer-I-dare-you". expression. A chunky ebony necklace dangles in the valley between the model's breasts. Jovanna's pink lips are opened enough to reveal her brilliant white teeth.

The next photograph featured from "Instinc". embodies the tone and theme of the entire series. Jovanna holds a dark red apple in one hand and rests a shiny silver blade on her bottom lip. The teen dares the viewer unapologetically with dark psyche-shattering eyes. This is a young woman who isn't afraid to push the boundaries of eroticism and she questions with her eyes if viewers are ready to join her.

Jovanna offers a titillating glimpse of her firm and enticing buttocks with the proceeding photograph. The model kneels on beige accent pillows that line the back of the sofa. Her face is half-turned and somewhat occluded but her eyes maintain contact with the viewer. Jovanna's jacket acts as an accent piece for the model's presence at this point in the gallery.

The playful side of this model's personality is showcased in the finale photograph from this collection. Jovanna is seated upon a stool. She smiles as she holds a leopard-print bra in one of her hands. The straps of the brassiere offer a softness to the explicitness of the picture because they partially hide the private area between Jovanna's toned legs. Jovanna seems to be asking admirers if they want a bite of one of the apples she possesses.

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Milana A: "Insolence" by Anry V

Milana is a newcomer to the pages of Met-Art but her debut is a memorable one. The photographer also makes a mark with this offering. The striking blonde model is clad in a black mesh teddy, coordinating thigh highs, and a pair of tight-fitting ebony boots. The lingerie clings to her full breasts and tapered waist. The transparency of the material reveals glimpses of her flesh before Milana removes the teddy.

A smoky plain backdrop is spread behind Milana as she poses in a variety of positions. Cobalt blue provides the flooring that Milana stands in her high heel boots upon. The simple background with a splash of color ensures that Milana is the focal point of "Insolence".

The cover photograph for this gallery showcases the symmetry and perfect proportions of the model's physique. Milana is captured with one of her arms placed behind her head and the other behind her buttocks. The lighting utilized by Anry reflects off of the model's fair flesh and platinum locks. A silver and black necklace adorns Milana's neck.

The next picture shows Milana seated upon a cobalt blue platform with her arms clasped behind her head and one of her boot-clad legs folded in front of her. The model's gaze is fixed upon the photographer's camera. Her countenance is serious and a bit commanding. The model's hair is layered in such a way that it provides a feathery frame for her oval face. The high-cut teddy worn by Milana especially emphasizes the curves of her hips.

Milana has shed her lingerie in the subsequent showcased pictorial. The model kneels upon swirls of silky blue material. The lighting used by the photographer also has a blue hue that compliments the composition of this amazing picture. The profile of Milana's form dominates the photograph. The swell of her bosom, the angles of her ribs, and the slender length of her legs are eye-catching. The model's chin is upturned a bit and parlays a sense of defiance or insolence as the title suggests. Milana retains the silver and black necklace that rests just above her impressive breasts.

Photographer Anry wisely includes a photograph for connoisseurs of curvaceous derrieres. Milana poses on her hands and knees with her bottom closest angled in the direction of the camera. Her unblemished skin is smooth and flawless. The position highlights expertly one of her finest assets.

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Lidiya & Ksucha A: "Panta" by Goncharov

Lidiya and Ksucha are two youthful teen models who together manage to create a fabulous gallery with their appearance and the intimacy conveyed between the duo. Goncharov includes a variety of landscape and portrait style pictures that frame perfectly the cuteness and prettiness of these two models.

The series begins with Lidiya and Ksucha posing in front of a floor-to-ceiling set of spacious windows. The girls are dressed in sheer and iridescent lingerie. The photo shoot quickly progresses to the more intimate setting of a bed where the teens begin to explore the geography of each others bodies. The effect is intriguing. It is if Lidiya and Ksucha are inviting viewers to join them in their private play date.

Lidiya and Ksucha are pictured seated on a bed side by side in the cover photograph from "Panta". Ksucha, with her dark hair and sweet angelic face, is pictured with her head resting on Lidiya's shoulder. Lidiya crimped red tresses frame the model's flawless facial beauty. The auburn-haired model poses with her legs bent so that the darkness between her thighs is exposed. The photograph is an interesting mixture of vulnerability and sensuality. There is a distinct ambiance of both emotions despite the normally contrasting nature of the emotions. Natural wood paneling provides a backdrop against which the two teen models lean. Teal blue sheets cover the bed upon which the young women lounge on.

Ksucha displays her fondness for Lidiya in the next picture featuring the raven-haired teen holding Lidiya gently in her embrace. Lidiya crouches on bended knees with her backside angled toward Goncharov's camera. One of Lidiya's arms encircles Ksucha's tiny waist and it's evident that Lidiya is returning Ksucha's affections. Ksucha's countenance is one of deep thought while the expression conveyed by Lidiya is one of playfulness. The red haired model flashes her brilliant smile.

A close up picture of the two models is offered in the following picture highlighted from "Panta". Soft shadows wash over the flesh and the faces of the young women as they lay in each other's arms. Ksucha's most private area is openly revealed as the model spreads her legs within a very short distance of Goncharov's camera. Lidiya rests one of her hands in the crevice of one of Kscucha's parted thighs. The picture is scintillatingly suggestive. This is the overall feeling evoked by this gallery that boasts 120 pictures.

Another suggestive photograph included in this series is showcased with the last selection reviewed. Lidiya is pictured with her back pressed against a wall and with her pert breasts bared. Ksucha kneels in front of Lidiya with her buttocks and with the flesh between her thighs pointed directly at the viewer. Again, subdued lighting is a definite part of the photograph and manages to lend a sense of intimacy to the picture.

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Natasha: "Charisma" by Vitali Gubin

The slender and amazingly toned model, Natasha, first appears topless with her firm and pert breasts fully exposed from the outset of "Charisma". The model wears enticing sheer black panty hose minus the panties so that her the most intimate areas of her feminine anatomy are easily discernable. A fiery red and orange necklace of beads adorns the model's neck along with a coordinating black and red boa. Silky elbow-length gloves cover Natasha's forearms and along with the boa accent give this series a burlesque-type quality. The model's outgoing personality shines brightly throughout the photo shoot.

The backdrop chosen by Gubin for this series is unassuming. It is a blank ivory wall without any adornment. Natural hardwood floors are also part of the backdrop. Natasha's seductive aura dominates the neutral backing.

The photograph introducing this gallery reveals a facial profile of Natasha that emphasizes her fine bone structure. The model's nose is perfectly formed. Her vibrant eyes are shielded by shadowed lids. Natasha's lips glisten with a soft shade of rose. Every angle and curve of her physique is displayed in this "tease". cover photo. The smoothness between her bare thighs draws the eye just before the admiration of Natasha's bosom steals the attention. Precious red ribbons accent the black hose worn by the model.

The close-up photograph featured from this collection highlights the clear reflective eyes that Natasha possesses. She flashes a pearly white smile in the direction of the camera that is heart-stopping in its vibrancy. The model sits upon a polished natural-colored wooden floor that compliments her innate loveliness. Natasha's petite frame is captured in this still photograph. Her outgoing personality is translated throughout the entire series. This is a woman who garners attention with her very presence.

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Yana: "Lap Dance" by Richard Murrian

Yana is an exotic beauty who performs a sensual dance for Murrian's camera in this erotic film. Murrian has chosen a soft musical soundtrack to compliment the presence of this gorgeous model. The music, candles and Yana's feminine lingerie add an element of romance to this movie.

The model wears a pastel pink shirt as the film begins. Her nails are perfectly manicured and her glistening lips match the pink shade of her form-fitting blouse. Yana almost immediately sheds the shirt so that her slender figure is bared. A silver charm adorns the model's naval and draws attention to her toned abdomen. Beneath the pink shirt Yana wears a white bra and coordinating thong panties. The lingerie is embellished with delicate pink rosettes and contrasts against the tanned tones of Yana's flesh.

The thong panties worn by the model emphasize the model's exquisite bottom and tiny waist. Murrian integrates the devices of black and white film and slow motion clips throughout the movie. He also uses divided frames to multiply the images of Yana. The effect is riveting and innovative. These unique elements integrated into this film are a testament to the burgeoning and advancing talents of this artist as he explores this medium of expression.

Yana is playful throughout this movie. Her outgoing personality shines clearly. She is extremely comfortable in front of the camera and this translates in this film. Yana's love for dancing is also apparent. Yana is adept at titillating and teasing. Her movements are soulful and natural. She illustrates this talent as she slowly removes her panties and caresses the curves and lines of her own body.

This model's body physique is simply amazing and Murrian masterfully gives viewers the opportunity to admire it from every conceivable angle. Yana is very close to Murrian's camera throughout many parts of the filming process. This adds a high degree of intimacy to this movie. Viewers feel as if Yana is close enough to touch as she draws them in with her commanding presence.

Murrian uses his camera to move over the landscape of Yana's physique slowly and thoroughly. The result is dazzling and unforgettable. Met-Art viewers will be thrilled with this latest partnership between Murrian and Yana.

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Julia V & Yana C: "Malizia" by Poberejnic Lilia

Julia and Yana are dressed in simple cotton dresses and kerchiefs that cover their long tresses as this gallery begins. The are vivid splashes of color woven into the surroundings of the women. The two models are seated upon chests and there are several touches of nostalgia integrated into the setting as well - black and white photos, woven baskets, and lace. The blend of items placed together in the background of the series is intriguing.

Julia and Yana first begin sharing treasures with one another and talking about the items they have found in their surroundings. The scene is reminiscent of two girlfriends spending a rainy afternoon together in an attic exploring forgotten treasures. As "Malizi". unfolds, it is evident that Julia and Yana are about to delve into the exploration of the uncharted territory of each other.

Though the series focuses primarily on the two models together, the photographer also provides many photographs of each model individually. This allows viewers the opportunity to appreciate the unique charms of each model independently. A basket of ripened sweet corn is a dominant prop throughout much of this gallery. Lilia captures the two models posing with an ear of corn in such a way that jump-starts the imagination.

A soft image of Julia and Yana embracing in the nude is the main composition of the cover photograph introducing "Malizia". Both models are lost in the smoothness and warmth of one another's bodies. The intimacy between the two is palpable.

Lilia offers a close look at the natural beauty these two enchantress' possess in the next photograph. The blushed cheeks and shadowed eyelids of Julia and Yana are subtle but emphasize their shared vitality and youth. The background is almost nonexistent in this picture. The focal point of the still is clearly the faces of these alluring models.

The women aren't afraid to express their playful side for the camera either. The following picture reveals the buttocks of Julia. Her white and pink dress clings to her slender waist. Julia is laughing and Yana flashes a smile in the direction of Lilia's camera. Yana's long wavy hair hangs in ringlets around her face.

The last picture reviewed from this gallery is a full view of the physiques' of Julia and Yana. The models are seated upon weathered chests with their flesh totally exposed. A long strand of beads hangs from Yana's neck and trails to the darkness that rests between her parted sides. Julia is seated beside her and the model's pert breasts are bared.

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Yana: "Lap Dance" by Richard Murrian

Yana is an exotic beauty who performs a sensual dance for Murrian's camera in this erotic film. Murrian has chosen a soft musical soundtrack to compliment the presence of this gorgeous model. The music, candles and Yana's feminine lingerie add an element of romance to this movie.

The model wears a pastel pink shirt as the film begins. Her nails are perfectly manicured and her glistening lips match the pink shade of her form-fitting blouse. Yana almost immediately sheds the shirt so that her slender figure is bared. A silver charm adorns the model's naval and draws attention to her toned abdomen. Beneath the pink shirt Yana wears a white bra and coordinating thong panties. The lingerie is embellished with delicate pink rosettes and contrasts against the tanned tones of Yana's flesh.

The thong panties worn by the model emphasize the model's exquisite bottom and tiny waist. Murrian integrates the devices of black and white film and slow motion clips throughout the movie. He also uses divided frames to multiply the images of Yana. The effect is riveting and innovative. These unique elements integrated into this film are a testament to the burgeoning and advancing talents of this artist as he explores this medium of expression.

Yana is playful throughout this movie. Her outgoing personality shines clearly. She is extremely comfortable in front of the camera and this translates in this film. Yana's love for dancing is also apparent. Yana is adept at titillating and teasing. Her movements are soulful and natural. She illustrates this talent as she slowly removes her panties and caresses the curves and lines of her own body.

This model's body physique is simply amazing and Murrian masterfully gives viewers the opportunity to admire it from every conceivable angle. Yana is very close to Murrian's camera throughout many parts of the filming process. This adds a high degree of intimacy to this movie. Viewers feel as if Yana is close enough to touch as she draws them in with her commanding presence.

Murrian uses his camera to move over the landscape of Yana's physique slowly and thoroughly. The result is dazzling and unforgettable. Met-Art viewers will be thrilled with this latest partnership between Murrian and Yana.

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