Wednesday, February 28, 2007
MetArt Gallery
Natasha: "Sinful" by Vitali Gubin
Natasha first appears with her ash-blonde tresses upswept so that her lovely face is visible without any obstructions. She wears a tiny black shirt that reveals her ultra-flat stomach and slender tapered waist. A pair of lime green panties and coordinating socks are also part of the attire worn by Natasha. A belt encircles her hips.
Gubin chose a cover photograph to introduce this series that showcases Natasha's phenomenally toned buttocks. This model's physique is athletic and lithe. In this photograph, she kneels on the back of an ebony sofa that blends into the background so that the couch is almost indistinguishable. Natasha's bronzed skin tones slow against the dark backdrop. A belt composed of lime geometric diamond shapes lays upon her naked flesh and accentuates the model's figure. Natasha is pictured with an over-the-shoulder glance in the direction of Gubin's camera and her beauty is mesmerizing. This model's eyes are penetrating and are one of her most defining features.
Natasha also poses in a stance that features a profile view of her amazing form. Gubin captures a side view of the model as she begins to shed her tiny panties. A demure smile graces Natasha's lips. This photograph reveals how slender this model actually is. Her firm and pert breasts are also a focal point of this picture.
Gubin uses shadows and a dark background so effectively throughout this series. Natasha is clearly the centerpiece of the series without a complicated background or an abundance of props. The model continues to remove her panties in the following photograph. She sits upon the sofa with one foot raised as her panties are about to be tossed aside. The darkness between the model's legs is visible and a silver chain draws the attention to this space. The model retains the embellishment of her belt and a silver choker adorns the model's graceful neck.
The last photo featured from this gallery presents a frontal view of Natasha in a kneeling position. The model turns her face to the side and allows her arms to rest at her side. Her hands lay upon her thighs that are slightly parted. Natasha has fully removed her clothing and a full survey of her breathtaking form is possible.
TANITA: "PRESENTING TANITA" by SKOKOV
AMORIX
ENNIE: "AMORIX" by MarK
TAKEIA
LIZA: "TAKEIA" by VORONIN
PRESENTING KATE
KATE: "PRESENTING KATE" by VOLKOV
SUPERSTAR
DEMI: "SUPERSTAR" by TIM FOX
AMATEUR
CRIBELLE: "AMATEUR" by ROY STUART
YANA IN HIGH DEF
YANA: "YANA IN HIGH DEF" by GONCHAROV
PRESENTING SONIA
SONIA: "PRESENTING SONIA" by MarK
MetArt Gallery
Ashanti: "Entropy" by Ingret
This series by Ingret is photographed against a backdrop of white, ebony, and grey tiled steps. The photograph introducing this gallery pictures Ashanti hugging one of her shapely stocking-clad legs close to her face. Her shiny long hair clings to her finely sculpted cheekbones and a hint of a smile graces her delicate lips. Ashanti's pale eyes beckon viewers to review her latest exhibitionistic tendencies as she poses for Ingret in this series.
The photographer captures Ashanti perched upon a tiled step in the next picture featured from this gallery. The model poses with her legs parted. There is nothing obstructing the view of her most feminine charms in this photograph. One of Ashanti's breasts is covered by her long auburn tresses. There is a glimpse offered of the natural perfection of her bosom. Ashanti has her head turned to the side so that her pretty profile can be admired.
Ashanti is next highlighted in a kneeling position with her backside exposed beneath a sheer white pair of fishnet stockings. The model casts an over-the-shoulder glance at Ingret's camera as she assumes this pose. Ashanti's well-formed buttocks are truly the focus of this picture though her gaze is penetrating and inviting.
Ingret manages to capture Ashanti as she removes her stockings as the gallery progresses. One of the last photographs of the series features the model without her hosiery. She is again photographed in a more upright kneeling position. This picture highlights the magnitude of the model's breathtaking tender physique without restraint. Ashanti smiles so openly and easily in this picture. She is comfortable displaying her natural form for Ingret's camera. It's evident that this model and photographer have a working relationship that produces samples of some of the fine nude art photography that Met-Art is renowned for. There are numerous galleries of this model to be found throughout the archives of Met-Art.
Tuesday, February 27, 2007
MetArt Gallery
Inna: "Pesca" by Voronin
Inna is dressed in a matching ivory lingerie set. The bustier and panties are covered with delicate pastel colored butterflies. Satiny tangerine laces secure the back of the top and the sides of the panties. Vibrant lime-colored earrings are the only jewelry worn by the vixen and pick of the hues of the high heeled shoes worn by Inna. The model holds a hot pink feather fan in her hands as the gallery opens. The vivid splashes of color from the earrings, laces, and fan accessories add a striking artistic quality to these pictures. Voronin routinely uses creative combinations of color when photographing Inna. She is a woman whose beauty is accentuated by any color scheme.
The introductory picture for "Pesca". shows an image of Inna photographed in a crouching position. The model looks over her shoulder at viewers. The v-shape lines of the model's panties compliment the contours of Inna's smooth buttocks. Crisscrossed laces run down Inna's back and the tail of the laces hang at the sides of her body. The model's sky blue eyes and peach complexion glisten.
The next picture showcased from this gallery shows a front view of Inna standing with an opened fan in front of torso. The model's face is turned to the side so that the refined features of her profile are visible. Inna's long auburn hair is pulled back at the sides and offers an unobstructed view of her heavenly beauty.
Voronin changes the intensity of the lighting as the gallery progresses. The photograph featured next offers an image of Inna removing her panties. Shadows cling to the outlines of the model's form. A titillating glimpse of Inna's most secret femininity is visible as she pulls at her panties. Voronin chooses an angle that hovers above the model lying upon her back with her body stretched out.
Inna's physique is displayed against a backdrop of shimmering gold in the final photograph reviewed. The model has shed her lingerie and offers her nude form without reserve. Inna's head is turned to the side but her sensual gaze is visible beneath half-closed eyelids. The model's succulent lips are inviting.
MetArt Gallery
Katya C & Natasha G : "Union The Photoshoot" by Gubin
White walls, a window, scattered potted greenery, and a polished wooden floor are the primary elements against which the women are showcased against. The natural backdrop emphasizes the intimacy these two women share. The depth of this intimacy unfolds as the scintillating series unfolds.
The introductory photograph for this photo shoot suggests a sense of romance shared by Katya and Natasha. The two are pictured as if they are in the midst of a slow sensual dance. The beguiling faces of the women are within inches of one another. The eye contact between the two is unmistakable. The pair are close enough so that their nipples are almost against each other. This is only the beginning of the candid nature of the pictures contained within "Union."
Gubin chronicles the slow deliberate undressing of the two models as they assist each other in disrobing the scant underclothing they both wear at the opening of the series. The photographer provides an up close photograph of Katya and Natasha that highlights the innate prettiness the two women hold. The picture also presents an image of the two models holding each other and laughing about the secrets they share. This picture evidences the fun these two are having during their play date.
Natasha is photographed upon bended knees with her mouth set upon the bosom of Katya in the following picture. Katya bolding eyes Gubin's camera and invites viewers to join the two women as they caress and entertain one another. Katya retains her thigh high stockings which lends a heightened degree of sensuality to the entire gallery.
Natasha assumes a more dominant position in the final picture from "Union". Katya is bent over and pressing her buttocks into Natasha's private area. Natasha holds tightly onto a handful of Katya's dark hair as she pushes back. Ecstasy is the only word that describe the emotion present on the faces of both women as they explore the boundaries of their relationship.
EUFRAT: "RIFLESSO" by SLASTYONOFF
ARTISTE
NIKKY: "ARTISTE" by ERRO
FRENCH AMATEUR
BISINE: "FRENCH AMATEUR" by ROY STUART
PLASTIKA
VALYA: "PLASTIKA" by GONCHAROV
SPRAY
ALYSSA: "SPRAY" by RYLSKY
PRESENTING SONIA
SONIA: "PRESENTING SONIA" by MarK
PRESENTING COX
COX: "PRESENTING COX" by MarK
GODDESS
NASTYA: "GODDESS" by MAX STAN
Monday, February 26, 2007
AUBREY: "PRESENTING AUBREY" by ANDY BAKER
PRESENTING AUBREY
AUBREY: "PRESENTING AUBREY" by ANDY BAKER
BUTTERFLY
LIDIYA: "BUTTERFLY" by GONCHAROV
LIRIKAS
VERA, TANYA: "LIRIKAS" by GONCHAROV
PRESENTING ANASTASIA
ANASTASIA: "PRESENTING ANASTASIA" by MAX STAN
SPRAY
ALYSSA: "SPRAY" by RYLSKY
SUPERSTAR
DEMI: "SUPERSTAR" by TIM FOX
MONIKA: "23" by TIM FOX
SILINIAN
MIMA: "SILINIAN" by MarK
FRENCH AMATEUR
BISINE: "FRENCH AMATEUR" by ROY STUART
CRITERION
KATYA: "CRITERION" by PASHA
MetArt Gallery
Ildiko: "Princes" by Magoo
The cover photograph from this series pictures Ildiko posed upon a bended knee. Long flowing blonde hair frames her delicate face. The model's flesh glistens as dapples of sunlight settle upon her tender exposed skin. She wears only a pair of white stiletto-heeled ankle-length boots. A rustic wooden staircase provides a backdrop of Old World charm. Intricately carved spindles and woodwork and a detailed geometrically patterned floor are present in rich shades of umber and sienna. The natural tones of the wood compliment Ildiko's tanned body.
The next photo showcased from this collection gives viewers a closer view of the fair-haired princess. She is posed in a crouched position that bares the smoothness between her toned thighs. Ildiko's pert breasts set with dainty nipples are perfectly proportioned for her tall slender frame. A tiny beauty mark dots the model's smooth abdomen. Ildiko's eyes are partially hidden by her long bangs and inspire the viewer to wonder what secrets lie behind her obscured gaze. The model's crimson lips are slightly parted and suggest that she may be willing to share her secrets with those who are patient.
Magoo reveals Ildiko's lovely set of eyes in the following photograph. Her gaze is direct and somehow conveys a deep understanding of the power that her presence holds over her royal court. The model is captured in a position of repose. Her round derriere is firmly planted upon the floor. Her knees are locked yet reveal an intimate view of the roundness of her buttocks. Ildiko leans back with her arms at her side. Tendrils of the model's platinum tresses curl like wisps of smoke over her breasts.
The final photograph featured from this series displays the fine bone structure of the model's facial features. She appears more mature in this photograph. Ildiko is dressed in a white loosely crocheted sweater that reveals one of her breasts. She is perched upon a wooden bench with her legs parted. Natural sunlight casts shadows upon the wood accents surrounding the model and accentuate Ildiko's classic natural beauty.
MetArt Gallery
Hanna & Inna: "Unitas" by Voronin
The young women first appear dressed in camisoles and panties. Hanna is dressed in blue while Inna wears white. The brunette model wears a diamond studded headband and dangling diamond earrings. Inna's chamisole is accented with satin ribbons. A wooden paneled door and plain white walls provide a blank canvas against which to highlight the dazzling beauty of these vixens.
The cover photograph from this series gives a sneak preview of the models without their lingerie. Hanna stands behind Inna with one of her slender arms wrapped around Inna's slight waist and the other resting upon her smooth shoulder. Inna allows one of her hands to lay on Hanna's toned thigh. The model's bare flesh is pressed together and the warmth generated from their body heat is palpable. Inna's flawless physique is fully visible while only a hint of Hanna's voluptuous body can be seen in this particular photograph.
Voronin provides a close-up shot of the two beauties standing side by side in the next featured photo. Inna puckers her luscious pink lips and eyes Voronin's camera coyly. This is a model who exudes sensuality. She cocks her hips slightly, pressing into Hanna's torso. The raven-haired teen posing beside Inna sweeps her long hair away from her glowing face and smiles sweetly. Hanna seems to be conveying with her dark eyes an invitation to join the ladies as they explore one another's charms. Inna, on the other hand, is confident that viewers won't be able to resist whether an invitation is extended or not.
The models shed their camisole tops for the next photograph. The tender derrieres' of the young women is the undeniable focal point of this picture. They retain their thong panties but the perfect contour of their buttocks is on display as they stand hip to hip. Hanna pulls back Inna's fiery locks and gazes at her friend's lovely profile. Inna wraps a slender arm around Hanna's full bottom and pulls her close.
The final photo featured from this collection gives viewers a full view of both models' amazing forms. Both women are completely nude and standing side by side. Hanna is focused upon Inna beside her while Inna eyes Hanna with a sultry gaze. This stunning gallery is a shining example of the immersive aesthetic experience offered only at Met-Art. Inna and Hanna embody natural feminine beauty in its purest form.
TANITA: "PRESENTING TANITA" by SKOKOV
RELAXIS
IRINA: "RELAXIS" by VORONIN
GODDESS
NASTYA: "GODDESS" by MAX STAN
BERINKA
IRISHKA: "BERINKA" by GONCHAROV
Sunday, February 25, 2007
MetArt Gallery
Jacinta & Amecylia A: "Aussies" by Alexa Star
Amecylia is a newcomer to Met-Art, but she hopefully she will make a return appearance. Jacinta introduced Amecylia to Alexa Star and the creative vision was born to showcase the two Australian vixens in a gallery together. The fruits of this labor between photographer and the models are not disappointing. Star has done an outstanding job of using photographic effects and setting to frame the incomparable allure of these girls.
Amecylia is photographed as the series opens. Her shoulder length strawberry hair is styled into long wispy layers that draw attention to the model's mesmerizing eyes and distinctive arched brows. Amecylia lounges in warm bath water. Her ivory flesh is exposed from the outset. Shortly into the photo shoot, however, Jacinta joins her companion in the tub. Star chooses uses landscape and portrait orientated photos to exhibit the playfulness and intimacy shared by Jacinta and Amecylia. There are also several black and white pictures embedded within "Aussie". to keep the attention of the most discriminating fine nude art appreciator.
The cover photograph introducing this series presents the image of Jacinta and Amecylia entwined within colorful blossom imbued waters. The intensity of the models gaze is enhanced by the amazingly high resolution of the photographs taken by Star. Jacinta's nude flesh floats against that of Amecylia. Amecylia rests her hand upon the bosom of the dark haired Jacinta. This picture evokes feelings of intimacy, sensuality, and eroticism.
These two models have smiles that could light the dimmest of environments. Star captures the bubbly vivaciousness of these two girls in many of the pictures within "Aussies". When these models pose with their hands and fingers intertwined, it is even more apparent that Jacinta and Amecylia are inseparable no matter what trials or tribulations come along in their relationship.
One of the finest examples of the use of black and white photography in this genre can be found within this gallery. Amecylia stands tall beside Jacinta. Her gaze is direct and commanding. She emits a quiet strength with her presence. This is heightened by the demure stance of Jacinta posing with her head upon Amecylia's bosom. Jacinta's damp tresses hang randomly over the model's lovely face. Her penetrating eyes and refined facial features manage to stand out regardless of the occlusion. Flecks of flowers cling to the models' smooth skin and add an element of texture to the black and white medium.
MetArt Gallery
Ildiko: "Princes" by Magoo
The cover photograph from this series pictures Ildiko posed upon a bended knee. Long flowing blonde hair frames her delicate face. The model's flesh glistens as dapples of sunlight settle upon her tender exposed skin. She wears only a pair of white stiletto-heeled ankle-length boots. A rustic wooden staircase provides a backdrop of Old World charm. Intricately carved spindles and woodwork and a detailed geometrically patterned floor are present in rich shades of umber and sienna. The natural tones of the wood compliment Ildiko's tanned body.
The next photo showcased from this collection gives viewers a closer view of the fair-haired princess. She is posed in a crouched position that bares the smoothness between her toned thighs. Ildiko's pert breasts set with dainty nipples are perfectly proportioned for her tall slender frame. A tiny beauty mark dots the model's smooth abdomen. Ildiko's eyes are partially hidden by her long bangs and inspire the viewer to wonder what secrets lie behind her obscured gaze. The model's crimson lips are slightly parted and suggest that she may be willing to share her secrets with those who are patient.
Magoo reveals Ildiko's lovely set of eyes in the following photograph. Her gaze is direct and somehow conveys a deep understanding of the power that her presence holds over her royal court. The model is captured in a position of repose. Her round derriere is firmly planted upon the floor. Her knees are locked yet reveal an intimate view of the roundness of her buttocks. Ildiko leans back with her arms at her side. Tendrils of the model's platinum tresses curl like wisps of smoke over her breasts.
The final photograph featured from this series displays the fine bone structure of the model's facial features. She appears more mature in this photograph. Ildiko is dressed in a white loosely crocheted sweater that reveals one of her breasts. She is perched upon a wooden bench with her legs parted. Natural sunlight casts shadows upon the wood accents surrounding the model and accentuate Ildiko's classic natural beauty.
Saturday, February 24, 2007
MetArt Gallery
Yolka: "Pazza" by Max Stan
Stan has chosen a casual environment in which to capture the presence of this dark angel. She poses upon an ivory leather arm chair. Burgundy and white curtains provide a splash of rich color to the photo shoot. The model uses a burgundy wrap as a sort of prop to hang from strategic parts of her form. A necklace composed of several shades of blue adorns the model's smooth neck and a coordinating bracelet embellishes one of her slight wrists.
Yolka is completely nude as this gallery opens. The photograph selected by Stan to introduce the series reveals a sensual diva leaning toward the photographer's camera as she poses upon one knee upon a leather chair. The model's buttocks are raised off of the seat of the chair. Her face is upturned and her refined facial features are clearly visible. Yolka's long black hair flows freely over her shoulders. This model's form is very slender and the bone structure of her torso and hips are very prominent. Yolka's breasts are full but extremely firm.
Stan captures a more playful side of Yolka's personality in the next photograph. The model appears relaxed and comfortable in the folds of the leather material of the chair. She reclines with her arms locked behind her head. A soft smile plays across Yolka's lips and lights up her pretty face. The model's eyes are dark and also seem to smile with the rest of her face. Yolka's breasts light with tan lines and her flat abdomen also capture the attention.
Yolka has a phenomenally full curvaceous derriere despite the natural thinness of her physique. The photograph presents this asset another picture. The dark-haired beauty exposes her bottom for Stan's camera as she poses upon her knees and presses the front of her body into the back of the chair. Yolka looks over her shoulder toward the camera with a look that can be described as provocative and alluring. The lighting is soft and shadows settle in the background of the picture.
The model sheds her wrap and gives viewers an open invitation to survey the most intimate parts of her body. Yolka stretches her form and gazes directly at Stan's camera. This exotic beauty is breathtaking and we look forward to future appearances by this newcomer of Met-Art.
MetArt Gallery
Natasha: "Etos" by Vitali Gubin
This setting for this photo shoot is a bathroom with an oversized garden tub surrounded by a wall of ceramic red and white tile work. Diamond patterned ivory walls are also a part of the background. The geometric patterns add texture and interest throughout the series though Natasha clearly maintains the spotlight. Natasha is nude from the outset of the gallery. A scalloped black leather belt adorns the model's curvaceous hips. A beaded y necklace encircles Natasha's graceful neck. Gubin and Natasha's minimal use of accessories results in an overall quality of simple sensuality.
The shot selected for the cover of "Etos". pictures Natasha straddling an edge of the round tub. The model poses with her elbow resting on her knee and with her face turned to the side. Natasha's eyes are almost closed. Her breasts are riveting in their perfection. A strand of beads lay upon her chest. The model's facial beauty is mesmerizing. Her expression is cool and inviting.
Natasha leans against the tiled wall built around the bathtub in the next photograph. She casts a smiling gaze over her shoulder in the direction of Gubin's camera. This picture captures the penetrating blue-gray eyes that are such an integral part of Natasha's beauty. The model's highlighted tresses are cut in long layers and frame her finely sculpted features. Natasha's lips shimmer with a hint of pink gloss. The edges of a scalloped leather belt can be seen at the small of the model's back.
The next photograph from this series again pictures Natasha leaning against the red and white wall, but Gubin gives viewers the opportunity to admire this model's amazing backside in this photo. Each contour of Natasha's physique is emphasized in this shot. She poses with her torso somewhat twisted and a lovely manicured hand rests upon one of her hips. The model's gaze is cast downward as if she is surveying her own toned and taut flesh. One of Natasha's pert breasts is visible due to the stance she assumes for this photograph.
The final picture highlighted from this collection displays a full frontal view of Natasha's physique. The model presses the side of her body against an ivory ribbed wall. Natasha's tanned skin tones contrast against the pale wall. A subdued expression dominates the countenance of the model.
MetArt Gallery
Ashanti and Bella "Torrent" by Ingret
The cover photograph from "Torrent". shows a lean and smiling Ashanti standing upright behind Bella who is kneeling upon rust-colored tiled flooring. Both models are smiling and obviously enjoying their exhibitionistic fling with Ingret's camera. Ashanti has shed her halter top and the darkness between her parted legs is openly displayed. The lightness between Bella's thighs solidifies any questions as to whether the model is a natural blonde.
The next photograph featured presents an almost full-length profile view of Ashanti and Bella. Both models make direct eye contact with Ingret's camera as Bella clings to Ashanti's halter top. Ashanti's lips are slightly open while Bella maintains a secretive half-smile with glossy rose-colored lips. The lines and contours of the girls' shapes are striking.
Ingret has captured a tantalizingly suggestive photo in the following picture. Bella is situated upon her knees between Ashanti's spread legs. The blonde casts an over-the-shoulder gaze toward the camera and one can only imagine what she has been engaged in. Bella's buttocks are parted enough to reveal the softness between her tender thighs from behind. Ashanti poses with a hand demurely wrapped around one of her braids and eyes the viewer coyly. Ashanti retains her top but her most private feminine space is open and accessible to Bella.
The final photograph reviewed from "Torrent". reveals Ashanti and Bella standing side-by-side with their bodies bared for Ingret's camera. Ashanti is looking in the direction of Bella while the blonde-haired model eyes the camera with a head-on-stare. Perhaps the infatuation between these two lovely young ladies rests upon Ashanti's smooth creamy shoulders. The auburn-haired model seems to be taken by the fairness of Bella and her charms. The scope of the gallery leaves the viewer wondering where the fascination rests, but each photograph as it unfolds offers its own degree of fascination. This series only reiterates the notion that two women posing with flesh upon flesh intensifies the enigma of the feminine mystique.
MetArt Gallery
Natasha: "Charisma" by Vitali Gubin
The backdrop chosen by Gubin for this series is unassuming. It is a blank ivory wall without any adornment. Natural hardwood floors are also part of the backdrop. Natasha's seductive aura dominates the neutral backing.
The photograph introducing this gallery reveals a facial profile of Natasha that emphasizes her fine bone structure. The model's nose is perfectly formed. Her vibrant eyes are shielded by shadowed lids. Natasha's lips glisten with a soft shade of rose. Every angle and curve of her physique is displayed in this "tease". cover photo. The smoothness between her bare thighs draws the eye just before the admiration of Natasha's bosom steals the attention. Precious red ribbons accent the black hose worn by the model.
The close-up photograph featured from this collection highlights the clear reflective eyes that Natasha possesses. She flashes a pearly white smile in the direction of the camera that is heart-stopping in its vibrancy. The model sits upon a polished natural-colored wooden floor that compliments her innate loveliness. Natasha's petite frame is captured in this still photograph. Her outgoing personality is translated throughout the entire series. This is a woman who garners attention with her very presence.
MET ART Presents: - 23
MONIKA: "23" by TIM FOX
MAGICAL
LENA: "MAGICAL" by GONCHAROV
PUBLIQUE
ORSY: "PUBLIQUE" by JAN VELS
RIFLESSO
EUFRAT: "RIFLESSO" by SLASTYONOFF
LIRIKAS
VERA, TANYA: "LIRIKAS" by GONCHAROV
AUTUMN LEAF
ALESSANDRA: "AUTUMN LEAF" by PASHA
RIFLESSO
EUFRAT: "RIFLESSO" by SLASTYONOFF
PASIONALIS
NATALI: "PASIONALIS" by URANOV
QUALITAS
EVELYN: "QUALITAS" by TIM FOX
HILIAN
SASHA: "HILIAN" by PAROMOV
Friday, February 23, 2007
MetArt Gallery
Presenting New English Model Laula by Michael White
The cover photo explicitly invites viewers to review the images of Laula contained within this gallery. The model sprawls her form atop a bed fitted with white sheets. Natural lighting illuminates the surroundings of Laula. The model is featured in a crawling position. The angle of White's camera especially highlights the backside of Laula as well as the model's exceptional natural facial beauty.
A head shot of this English beauty reveals a wide-eyed youthful young woman with a determined gaze. A hint of freckles faintly dot the bridge of the model's nose and cheeks. Laula's lips are slightly parted and she is ready to challenge any preconceived notions about the role of a proper English woman.
A brightly lit window provides most of the lighting contained within this gallery. The lighting is a large part of the background of the next photo. Laula is photographed by White bending over the edge of the bed highlighted throughout the gallery. A glimpse of a smile is part of the model's countenance. Her large expressive eyes are partly occluded by her wavy auburn locks. Laula's breasts are firm and prominent in this particular picture.
White provides a candid and erotic glimpse of this young model posing in a position of relaxation and repose. Laula leans back at the same time that she pulls a white sheet between her parted thighs. A jeweled bracelet circles the forearm the model uses to cling to the sheet pulled between her legs. A serious and determined expression is unmistakable in the way that Laula meets the exploration of the photographer's camera lens. Dimmed lighting is a definite part of the setting that so accurately highlights the vulnerability and gentle beauty of this young English lass. The scant scintillating lingerie worn by Laula is scarce but at the same time entirely more than enough to intrigue the discriminating voyeur enthralled by youthful beauty.
MET ART Presents: - PRESENTING VIKA
VIKA: "PRESENTING VIKA" by GONCHAROV
MAGICAL
LENA: "MAGICAL" by GONCHAROV
AUTUMN LEAF
ALESSANDRA: "AUTUMN LEAF" by PASHA
MetArt Gallery
Natasha: "Wonder" by Voronin
Natasha is like a vision of a finely crafted doll dressed in a red bustier laced with hot pink ribbons. Matching dangling pink feather-like earrings adorn the model's delicate earlobes. A single pink ribbon encircles the model's tiny ankle in the cover photograph from the series. Natasha sits upon a polished hardwood floor with her slender legs slightly parted and with one knee pulled close to her torso. One of her thin arms rests upon a wall. The bodice of the bustier is loosened so that a glimpse of the stunning model's bosom can be gleaned. Neutral tones fill the backdrop of the photograph. The presence of Natasha shimmers against the subtle hues and tones.
Voronin provides another view of the model sitting on the floor in the next photo highlighted from this series. Natasha poses with her arms situated behind her back and with her long legs parted. Voronin presents a perfectly centered picture of this enchantress. The ribbons of her bustier have been loosened enough to reveal the model's perfectly symmetrical breasts. Her gaze is locked with the photographer's camera. The subdued lighting accentuates the tones of Natasha's flesh and gives the photograph an element of softness.
The model is equally stunning in more intense light as the next photograph illustrates. Natasha poses in a crouched position allowing her buttocks to rest upon the back of her heels. She holds open each side of her lingerie in a gesture that allows a view of her slim torso and firm breasts. Natasha's pink fingernails are noticeable in this photograph and the color coordinates with the hot pink ribbons accents that are so prominent throughout the gallery.
The last picture showcased from this collection truly captures the essence of the artistic perfection that Natasha possesses. She is the ultimate specimen of everything that is so mysterious and compelling about feminine beauty. Natasha appears like a goddess frozen in time against a silhouette of a half-moon shaped hint of light. This particular photograph is also a testament of the way Voronin has of speaking a thousand words via the channel of photography.
Thursday, February 22, 2007
MetArt Gallery
Shiva & Jordan: "Alpha" by Magoo
Shiva and Jordan were first introduced by Magoo for this photo shoot but they have fast become great friends. The two girls have much in common and from the moment they encountered each other there was an attraction that couldn't be denied. Magoo does a phenomenal job of capturing the innate magnetism Shiva and Jordan share.
Shiva is pictured in a veil of shadows as "Alpha" opens. The platinum-haired seductress literally glows against a backdrop of darkness. These photographs are intriguing and a testament to the superior creative talents of Magoo. Shiva makes a grand first impression at Met-Art with this stylish first appearance.
Olga joins her new friend early into the photo shoot. The two models compliment each other well. The introductory picture from this series offers a look at the steamy sensuality that exists between Shiva and Olga. The women are about to engage in a soft kiss heavy with hunger. Olga's pert breasts are striking. Magoo also provides several other close-up pictures of Olga and Shiva that emphasize the facial beauty of these models.
The backsides' of Shiva and Olga are the focal point of the next highlighted photo from this collection. The two friends stand side-by-side in front of a solid black background. This blank backdrop ensures that the voluptuous curves of the models' physiques are the center of attention. Olga and Shiva retain their sexy high heels even after they have shed their clothing.
Shiva's body is at the forefront of the final picture reviewed. Her tawny flesh, flawless breasts, and smooth intimate area are the picture of perfection in the world of exquisite femininity. Olga stands behind the blonde with her arms affectionately wrapped around Shiva's slim torso. The faces of the two models face one another and they appear to be getting ready to engage in another soulful kiss.
The Latest MET ART Gallery Update: - RIFLESSO
EUFRAT: "RIFLESSO" by SLASTYONOFF
SIMIKAL
SIMONIA: "SIMIKAL" by ERRO
KUBIK
IVETA: "KUBIK" by GIOVANNI NOVA
QUALITAS
EVELYN: "QUALITAS" by TIM FOX
KIDINIA
HANNAH: "KIDINIA" by MAJOLY
23
MONIKA: "23" by TIM FOX
PRESENTING ANASTASIA
ANASTASIA: "PRESENTING ANASTASIA" by MAX STAN
ARISTA
KATYA: "ARISTA" by PASHA
MetArt Gallery
Sharon: "Chic" by Voronin
The cover photograph for this gallery focuses on Sharon's unbelievable derriere. Voronin uses the reflection of the mirror that Sharon gazes into as well in the composition of the photograph. Viewers are able to admire a glimpse of one of Sharon's firm breasts and her pretty face simultaneously. This is a device that Voronin is adept at using in his photography. It's seen throughout this gallery.
The next featured photograph shows Sharon with her flawless bosom fully exposed. A form-fitting top adorned with delicate butterflies clings to the model's slender waist. Her arms are coyly folded behind her back and Sharon seems to be offering her flesh to Voronin's camera. The dark place between the model's toned thighs is meticulously groomed. Pastel pink stockings are visible and add eroticism to this photograph. Sharon's facial features are also prominent. Her brilliant eyes, oval face, and pink-tinted lips hold the attention even with the most intimate areas of her form revealed.
The perfect roundness of Sharon's buttocks is again on display in the next photograph. The model leans upon her hands with her backside bared. The pink lingerie top is still in place but is more of an accent piece than any type of covering. Sharon's smooth shoulders and back seem to shimmer with vitality. The model peers over one of her shoulders at the camera and an expression of seductiveness shadows her features.
The final photograph is so vivid and clear that one can almost feel the warmth of Sharon's breath as she sits perched upon the surface of the dresser that is such an integral prop throughout this gallery. Sharon's back is slightly arched and, again, the model's breasts and the space between her thighs is openly displayed. Sharon's round dark eyes with sweeping brows are locked with Voronin's camera eye. The model's finely chiseled nose and cheekbones give her such a refined appearance. Sharon's straight natural tresses are classic and frame beautifully her elegant features.
Wednesday, February 21, 2007
MetArt Gallery
Julia and Vika: "Alluring" by Goncharov
Julia is seated in front of Vika in the cover photo from the aptly titled gallery "Alluring". Everything about this photograph is alluring. Julia is seated with her legs spread to reveal her most intimate feminine charms. A scarf is draped around the model's shoulders while she holds tightly to Vika's knees. Julia looks downward while Vika casts her gaze to the side. Vika's breasts are pressed against the back of Julia's head.
The next picture showcased from "Allurin". offers an intimate view of Julia and Vika holding one another. Vika's generous breasts and the area between her parted thighs is clearly the focal point of this picture, but the gentleness of the models leaning into one another stirs the libido as well. Texture is created by Goncharov by the netted scarf worn by Julia as well as the belt and shawl worn by Vika.
An ice blue landscape behind numerous windows provides the backdrop for this picture that shows Julia sitting on the floor and leaning into the knees of Vika. Julia still wears a netted scarf upon her head but Vika is pulling at her black lacy lingerie during this time. Despite, Julia's small stature, the model has a generous bosom.
The last picture reviewed from this gallery show Vika spread with her form fully exposed along the top of a back bench, The model has her body totally stretched out and waiting. Julia is in a kneeling position.
Julia and Vika are definitely a duo that can call themselves "alluring". This series caters to viewers who imagine being with two women at the same time.
The Latest MET ART Gallery Update: - BAD GIRL
MARKETA: "BAD GIRL" by ERRO
PRESENTING ADRIANA
ADRIANA: "PRESENTING ADRIANA" by TIM FOX
ARISTA
KATYA: "ARISTA" by PASHA
NOCTURNA
ANDREA: "NOCTURNA" by VORONIN
STARDOM
ALTEA: "STARDOM" by ERRO
MetArt Gallery
Presenting New Model Ekaterina by Stainless
As the series progresses, Ekaterina is captured poised upon a silver wrought iron chair. An elegant charm hanging from a silver chain adorns the model's graceful neck. Ekaterina retains the stockings for a touch of sophisticated titillation.
Stainless also presents images of Ekaterina in the act of shedding her lingerie to reveal her supple tanned figure. The dark tones of the model's flesh contrast vividly against the stark whiteness of her attire. Ekaterina performs her disrobement upon a plush stretch of beige carpet.
Ekaterina's flawless breasts are heart-stopping in the cover photo from this series. The model is captured in motion as she lifts her sheer nightgown over her head. The expression set upon Ekaterina's pretty face is one of submissiveness and offering. Her countenance is gentle and soft. The model's body is curved in such a way that she almost seems a part of the antiquated furniture she sits upon. The slopes of the sofa compliment Ekaterina's form uncannily.
Stainless provides many up close photographs of this model throughout the gallery. One of the most stunning of them is an image of Ekaterina with her head turned to the side so that her facial profile can be admired. The model's long dark hair streams over her shoulders. Her lips are slightly parted to reveal a glimpse of her pearly white teeth. The model's phenomenal breasts are again featured in this picture. They are impossible to ignore.
Ekaterina positions herself along the top of the davenport in the next photo from this series. Her bottom is nestled within one of the curves of the fine piece of furniture. The model's gaze is lowered yet powerfully challenging. It is as if she is requesting the company of a companion to join her upon the roomy sofa.
The model's sculpted backside is the focal point of the last picture. Her stance clearly emphasizes the contours of her buttocks. The model's lovely hands further draw the eye to the already captivating part of her form. Her hands are positioned as if they are cupping each cheek of her derriere. A washed-out black backdrop ensures that Ekaterina's presence is at the forefront of the picture.
MetArt Gallery
Cody: "Cody" by Alexa Star
The opening of the series begins with Cody standing nude in the middle of azure waters. The camera steadily moves closer to the enchantress to give viewers a closer look at the obvious beauty of the model. Cody makes her way to the edge of the water with Star following her along the way.
The shoot progresses to landscape images of Cody perched upon rocks with her body outstretched. These poses accentuate the slenderness and toned quality of the model's form. Star includes several black and white photographs within the primarily color pictures. This choice of film adds interest to the collection.
Cody displays her gymnast talents by positioning her lithe body into a backbend position. The limberness of the blonde fuels the imagination. As the gallery nears closing, Cody's tresses are wet from the water that is such an integral part of this series. The sleekness of the model's hair allows her fine facial beauty to be openly appreciated.
The cover picture introducing this gallery emphasizes the symmetry of Cody's physique. She sits with her legs crossed in an Indian-style position and with her hands folded in a prayer-like manner. Cody's hands rest squarely between her natural breasts. Her face is turned sideways to reveal a view of her pretty facial profile. Star and Cody capture perfectly the essence of meditation and the soothing affect that connecting with nature offers.
The photographer presents a large number of pictures within this series that feature up close looks at Cody's brilliant smile and sparkling eyes. The model's unblemished complexion is radiant. Her lips are tinted with the slightest shade of rose. Cody doesn't wear any jewelry which fits well with the unspoiled setting that provides the backdrop for gallery.
The last picture highlighted from Star's offering pictures Cody standing on the beach with the sea behind her. Both of the model's hands rest on her precious face. Cody's flat abdomen, the smoothness between her legs, and her exquisite breasts are elements that stand out in this crisp photograph.
Tuesday, February 20, 2007
MetArt Gallery
Natasha G: "Star" by Gubin
Crimson red lipstick colors Natasha's lips and draws attention to the dazzling whiteness of her smile. Her highlighted chestnut hair flows freely in long layers that frame her refined facial features. The model's pale eyes are one of her most defining features. They are mesmerizing in their intensity.
The backdrop for "Sta". chosen by Gubin is comprised of powder blue walls and a kaleidoscope of pastel wallpaper. A divider strip of coordinating border trim unites the d�cor that provides a simplistic canvas against which the powerful presence of Natasha is showcased. A shiny wooden tabletop is also part of the series and provides a pedestal upon which Natasha expertly poses as the gallery progresses. The warm brown luster of the table compliments the model's tanned skin tones as well.
The cover photograph for this gallery offers viewers an immediate indication of the high quality images contained within. Natasha sits upon the shiny table with one of her shapely legs hanging off the edge and the other slightly bent. The darkness between her thighs is prominent. The boa is wrapped around her tiny waist and trails behind her. Natasha pulls one side of her long tresses away from her face and leans her torso back. The model's exquisitely formed breasts are bared.
Natasha leans against the wall while glancing over her shoulder in the direction of Gubin's camera in the next featured picture. She stands with one of her legs lifted off of the floor. The most interesting point of this photograph is the sweet smile that graces the model's lips. This view of Natasha exemplifies the loveliness of her face. Her long hair streams down her sculpted back and draws the eye to the roundness of her derriere.
Gubin integrates movement into these still photographs by capturing Natasha curls of her hair is blown away from the profile of her face. The model rests a manicured hand upon her neck as she gazes away from the camera. The toned lines of Natasha's legs and arms are visible in this shot.
One of the final pictures from "Star". offers a revealing look at Natasha's body and could have just as easily been chosen by Gubin as the cover shot for this gallery. The model reclines her form upon the table and showcases the flexibility of her legs. Natasha's expression is one of daring and confidence.
MetArt Gallery
Natasha G: "Premier" by Gubin
The background for "Premier". consists of a fireplace, greenery, and champagne colored drapes. These details are unobtrusive, however, throughout the entire series. Natasha is clearly the lotus of attention. The sandy-haired model has no difficulty garnering that attention either as she reveals each inch of her taut and tanned flesh.
Natasha is photographed in a semi-sitting position in the picture announcing "Premier". She is clad only in a pair of black stockings and a lace garter belt. The garters are not attached to the hosiery, however. One of the garters strays between the intimate space which lies between Natasha's toned thighs. Natasha stares sensuality into the eye of Gubin's camera. Her mouth is open and offers a glimpse of the model's stunning white teeth.
Natasha wears a skirt covered with geometric patterns. Colors of teal, green, tan, and black are part of the tapestry of the print. Natasha's hair is pulled into a bun at the back of her head and secured with a teal hair accessory. A double stranded necklace of ivory pearls encircles the model's neck. Her facial expression is relaxed and peaceful. Natasha is comfortable in front of the camera. One of the diva's hands rest upon her abdomen while the other is placed behind her head.
The firmness of Natasha's petite bottom is evident in the next photograph. The model presses her hands against a richly textured wall. Her buttocks curve just beneath the black lacy garter circling the model's hips. Natasha eyes the camera as she assumes this position.
Natasha exhibits her electric sense of sex appeal in the final picture featured from "Premier". The model kneels upon a hardwood floor. She rests one of her hands on a deep green leather sofa. Natasha keeps her stockings and garter on throughout the entire series. The lighting in this picture is subdued and adds to the sense of drama that the model evokes. Sensuality is present and overwhelms the entire composition of the photo. This is a talent that Natasha brings to each one of her appearances and perhaps one of the reasons she consistently ranks as one of the top models at Met-Art.
Monday, February 19, 2007
MET ART Models: - RIFLESSO
EUFRAT: "RIFLESSO" by SLASTYONOFF
PRESENTING LENKA
LENKA: "PRESENTING LENKA" by JAN VELS
SMILING
ALIZEYA: "SMILING" by MICHAEL MAKER
PERSEIA
EVE: "PERSEIA" by MAJOLY
GODDESS
NASTYA: "GODDESS" by MAX STAN
MetArt Gallery
Zuzana: "Puma" by Jan Kruml
The model first appears wearing a flowing white spaghetti strap blouse and jeans. Her chestnut hair is smooth and straight. It glistens in the soft evening light. Kruml has chosen a field of wildflowers in which to capture the loveliness of this model. It is an excellent choice because Zuzana has the room and the freedom to truly express her personality.
The cover photograph from this series captures Zuzana in motion. The model has shed her clothing and is running through the field with her long hair swirling around her. Zuzana�s brilliant smile and shimmering complexion is radiant. The smoothness between her thighs is captivating.
Kruml opens the series with photographs of Zuzana casually dressed. The model smiles openly and invites viewers to join her in her evening romp through the secluded field. Zusana holds a bouquet of wildflowers in her hands and tilts her head and hips slightly to one side. She is the epitome of innocence and budding womanhood.
Kruml displays his formidable artistic talents in a succession of extremely focused photographs. The composition of several photos in this series revolves around specific parts of Zuzana�s physique. The photographer is adept at creating works of art with this style of photography. Kruml focuses on Zuzana�s breasts, torso, and the area between her thighs as the she removes her jeans. Purple flowers decorate the corner of the picture and the model�s long hair glows with highlights of auburn. The photographer focuses even more closely on Zuzana�s female anatomical parts in several more explicit photographs of this series. The effect is tasteful and artistic.
The final picture of Zuzana discussed in this essay reveals the model�s full round buttocks. Zuzana has her jeans partly removed to expose her backside. She casts her gaze over her shoulder in the direction of Kruml�s camera but there is some distance between photographer and model. The expanse of the field is evident in the background but Zuzana is clearly the focus of the picture. A profile of one of her breasts is captured. Again, the model�s lovely smile is present in this picture.
MetArt Gallery
Julia Ah: "Musing" by Joanna Edwards
The model is clad in a white net covering. Black high heels with sexy ankle straps adorn Julia's feet. Several strands of shimmering pearls are draped around the model's neck. A pearl bracelet decorates one of her wrists. The simplicity of the elements contained within "Musin". showcase the supreme charms of Julia eloquently.
The cover photograph introducing this series reveals a magnificent view of Julia's feminine physique. The model pulls her hair up at the back of her head with one of her hands while the other rests at her neck. Julia's gazed is fixed upon a faraway point and captures the essence of the title of this gallery: musing. The model's face is turned sideways so that the lines and contours of her profile are highlighted. The lighting behind Julia gives her fiery hair the illusion that it is aglow. This is a powerful picture and tempts one to review the entire selection of one hundred photos contained within the gallery.
Edwards offers a close-up photograph of Julia that highlights her bright and engaging eyes, prominent cheekbones, and full lips. Feathery layers of auburn hair cling to the model's refined facial structure. One of Julia's uniquely manicured hands is positioned upon one of her smooth shoulders. Each of her nails shimmers with golden tips.
Julia is photographed seated upon the leather sofa in the next picture. The white throw that initially covered her amazing physique at the outset of the series is draped over one of the model's thighs. Julia's flawless breasts are one of the undeniable focal points of this picture as well as the slenderness of her torso.
The last photograph featured from "Musing". presents a stunning full-length image of Julia's statuesque form. The model poses in a standing position in front of a leather arm chair. Her lithe and taut form is shown in all of its glory. Julia's breasts are extremely full and round for her slight frame. She is a goddess of femininity. Viewers will undoubtedly be awaiting a return appearance by this talented model.