Saturday, March 31, 2007
MetArt Gallery
Karina: "Iguana" by Voronin
Karina is irresistible with her long straight strawberry blonde hair freely flowing over her exposed flesh. A delicate flower is tucked behind one of her ears and correlates seamlessly with the tropical theme invoked by the model's surroundings. A pair of tight white bikini panties accented with ties at the hip compliment this enchantress' suntanned skin tones.
Voronin selected an erotically charged photograph of Karina for the intro of "Iguan". that defies those browsing the latest updates to Met-Art to pass by. Natural sunlight showers Karina as she leans with her backside against a wall of stones steps. The model is in a crouching position with her legs set widely apart. Karina cups her overflowing abundant breasts with two manicured hands. Strands of bright yellow intricate beads lay upon the sun goddess' chest.
Several close-up pictures showcasing Karina's inherent allure are included throughout this gallery of 133 photographs. The picture featured shows a profile of the model standing in front of a plethora of greenery. The yellow accessories of a flower and beads worn by Karina compliment beautifully the innate charms of this sultry vixen.
As this photo shoot progresses, Karina removes her bikini panties to reveal several images focusing on her sculpted derriere. One of the most arresting of these pictures presents the form of Karina with her arms raised and her hands clasped above her head. Yellow beads trail down the valley of her bare back and lead the eye to the focal point of the picture. The model's slender waist gives way to the fullness of her hips and bottom. A glimpse of one of Karina's breasts draws the eye back upward.
The last picture showcased from "Iguana". offers an image of Karina posing with one of her toned legs outstretched to the side and the other supporting her slight weight. The model's flat abdomen shimmers in the sunlight and a tiny strip of darkness draws the eye to the space revealed there. Karina pulls some of the loosely strands of her hair away from her face so that her fine features can be appreciated. Tendrils of her hair tickle her exposed nipple and it stands erect.
MetArt Gallery
Lidiya & Ksucha A: "Panta" by Goncharov
The series begins with Lidiya and Ksucha posing in front of a floor-to-ceiling set of spacious windows. The girls are dressed in sheer and iridescent lingerie. The photo shoot quickly progresses to the more intimate setting of a bed where the teens begin to explore the geography of each others bodies. The effect is intriguing. It is if Lidiya and Ksucha are inviting viewers to join them in their private play date.
Lidiya and Ksucha are pictured seated on a bed side by side in the cover photograph from "Panta". Ksucha, with her dark hair and sweet angelic face, is pictured with her head resting on Lidiya's shoulder. Lidiya crimped red tresses frame the model's flawless facial beauty. The auburn-haired model poses with her legs bent so that the darkness between her thighs is exposed. The photograph is an interesting mixture of vulnerability and sensuality. There is a distinct ambiance of both emotions despite the normally contrasting nature of the emotions. Natural wood paneling provides a backdrop against which the two teen models lean. Teal blue sheets cover the bed upon which the young women lounge on.
Ksucha displays her fondness for Lidiya in the next picture featuring the raven-haired teen holding Lidiya gently in her embrace. Lidiya crouches on bended knees with her backside angled toward Goncharov's camera. One of Lidiya's arms encircles Ksucha's tiny waist and it's evident that Lidiya is returning Ksucha's affections. Ksucha's countenance is one of deep thought while the expression conveyed by Lidiya is one of playfulness. The red haired model flashes her brilliant smile.
A close up picture of the two models is offered in the following picture highlighted from "Panta". Soft shadows wash over the flesh and the faces of the young women as they lay in each other's arms. Ksucha's most private area is openly revealed as the model spreads her legs within a very short distance of Goncharov's camera. Lidiya rests one of her hands in the crevice of one of Kscucha's parted thighs. The picture is scintillatingly suggestive. This is the overall feeling evoked by this gallery that boasts 120 pictures.
Another suggestive photograph included in this series is showcased with the last selection reviewed. Lidiya is pictured with her back pressed against a wall and with her pert breasts bared. Ksucha kneels in front of Lidiya with her buttocks and with the flesh between her thighs pointed directly at the viewer. Again, subdued lighting is a definite part of the photograph and manages to lend a sense of intimacy to the picture.
LENA: "PRESENTING LENA" by PAROMOV
ELEMENT
JULIA: "ELEMENT" by MAX STAN
BERINKA
IRISHKA: "BERINKA" by GONCHAROV
HELIUX
VANESSA: "HELIUX" by GIOVANNI NOVA
MAXIMIA
IRINA: "MAXIMIA" by MARIA KENIG
Friday, March 30, 2007
MetArt Gallery
Alena: "One Kiss" by Voronin
Alena is dressed for this photo shoot in a white and navy printed bikini top and a coordinating mini skirt. It is the attire of a typical teen away at the beach for a day of relaxation and sun. The outfit reveals from the outset Alena's tiny tapered waist and long shapely slender legs.
The cover photograph for this gallery features Alena posed in front of a wooded background. A towering gray tree is positioned directly behind the model. The roughness of the tree's trunk contrasts sharply against the smooth unblemished flesh of Alena's slender body. The model stands with her hips slightly shifted to one side. This position emphasizes the curves and angles of Alena's petite frame. A triangular patch of untanned flesh draws the eye to the darkness between the model's legs. The intensity of Alena's gaze is captivating. The model poses with one of her hands pulled close to her angelic face.
Voronin provides a lovely close up photograph of Alena sitting upon a grassy hill with one of her legs bent. Sunlight warms the model's exposed breasts and highlights her blushed cheeks and clear eyes. A sweet smile graces the model's precious mouth and a distinctive beauty mark is positioned slightly above her lips.
Alena poses in front of a tree with her skirt slid just below her full round buttocks. The model's long chestnut hair shimmers in the sunlight and trails down her back. Alena's face is turned to the side so that a view of her profile can be surveyed.
The last photograph showcased from this series is a light-filled picture of Alena against a calm aqua watery background. Alena has shed her scant clothing. Her breasts are firm and pert and the area between her thighs is clearly visible. The model pulls her long hair slightly away from her face so that her pretty face can be admired.
MetArt Gallery
Alisa C & Ruslana C: "Castigo" by Zesleder
The models are dressed in complimentary white lingerie. Alisa wears a bra and panty set accented with pink hearts and ribbons. A pair of lacy thigh high stockings completes her ensemble. A delicate pearl necklace adorns her neck. Ruslana is dressed in a lacy white bra, panty, and garter set. Her garter is clipped to a pair of white stockings identical to those worn by Alisa.
Candlelight and a dimly lit chandelier provide the lighting for this sensuous series. The predominating ambiance of "Castigo". can best be described with the words sophisticated elegance. An impressive and intricate bureau is also a significant part of the setting against which the beauty of these models is highlighted.
The introductory photograph for this series pictures the women without their bras and panties. The model's still wear their stockings, but their most intimate treasures are openly displayed. Alisa presses her nude body against Ruslana. Both of the women eye the camera with conviction. They are confident in the power of their beauty.
The next picture featured from this collection highlights the distinct differences in these women's dispositions. Alisa is outgoing and bubbly. Her high-energy attitude is apparent in this photo. Ruslana is a more contemplative and reserved woman. Her expression in this picture reveals her gentle nature.
The model's stand side-by-side with their backs toward the photographer in the next photo reviewed. Alisa turns toward Ruslana and rests one of her hands on her friend's shoulder. The tenderness that exists between the two is obvious. Ruslana gazes over her own shoulder to dazzle viewers with her soulful eyes. A hint of a tattoo on one of Alisa's buttocks is barely discernable.
The full force of Alisa and Ruslana's impeccable beauty is displayed when Zesleder presents a frontal view of the two women standing next to each other. Alisa poses with her hands resting on her breasts and which her head tilted slightly back. Ruslana leans against the dresser positioned behind the models. The smooth parted flesh between their legs is impossible to ignore.
MetArt Gallery
Katka: "Minos" by Slastyonoff
A dimly lit lamp sits upon a bedside table behind Katka and cast a soft glow upon the ivory walls. The way the model is dressed stirs the imagination. She appears like a new bride presenting herself to her husband for the first time. The setting is reminiscent of a bedroom.
Katka's playful personality is revealed throughout this series. She is often photographed smiling and laughing. The model lifts the front of her gown in a peek-a-boo fashion to show her treasures residing beneath the transparent material. Katka is obviously very comfortable working with Slastyonoff. Her confidence is invigorating.
The cover photo for this gallery featuring 91 high resolution pictures is breathtaking. The model props her adorable face on one of her hands and gazes directly at the photographer's camera. Katka's ivory lingerie has been removed enough to expose her lovely buttocks and the flesh between her thighs. The model rests her elbow upon a white upholstered trunk. Delicate silver earrings adorn Katka's earlobes.
Katka performs a slow strip tease as this series progresses. The next photograph captures the angelic-faced model just as she has slipped her lingerie off one of her unblemished shoulders. Katka's countenance is subdued. Her eyes are almost completely closed and cast downward as if she is lost in her own private thoughts. Hazy lighting glimmers in the background of this picture like a burning candle. The sillouhette of one of Katka's breasts is clearly outlined.
The model continues shedding her nightgown. The third picture showcased from this gallery gives viewers a look at the model's slender youthful physique. Katka poses with her gown clinging just below her hips. A silver charm adorns the model's naval. The smoothness between Katka's toned thighs draws the eye. Her blonde locks glimmer against the backdrop of lighting.
The subtle curves of Katka's torso and hips are accentuated in the final picture from this series. The model crouches with her legs parted and swirls of sheer ivory material at her feet. Katka's flesh is smooth. Her eyes are penetrating even from a distance.
RUSLANA: "IDILIAN" by PAROMOV
PRESENTING ALICE
ALICE: "PRESENTING ALICE" by RYLSKY
FANTASIAS
PEACHES: "FANTASIAS" by MAJOLY
Thursday, March 29, 2007
ALICE: "PRESENTING ALICE" by RYLSKY
ECS
NATASHA, ANABELLA: "ECS" by SKOKOV
LIMBUS
ALENA: "LIMBUS" by ALEX DEONISIUS
ETHLAS
MASHA, PAOLA: "ETHLAS" by GONCHAROV
YADAX
DANAE: "YADAX" by GIOVANNI NOVA
SPECTACULAR
YANA: "SPECTACULAR" by RAPHAEL
JEMINEA
ELLE: "JEMINEA" by VOLKOV
PRESENTING LANA
LANA: "PRESENTING LANA" by SKOKOV
AEGRIS
KETRIN: "AEGRIS" by GONCHAROV
MetArt Gallery
Katya C & Natasha G : "Union The Photoshoot" by Gubin
White walls, a window, scattered potted greenery, and a polished wooden floor are the primary elements against which the women are showcased against. The natural backdrop emphasizes the intimacy these two women share. The depth of this intimacy unfolds as the scintillating series unfolds.
The introductory photograph for this photo shoot suggests a sense of romance shared by Katya and Natasha. The two are pictured as if they are in the midst of a slow sensual dance. The beguiling faces of the women are within inches of one another. The eye contact between the two is unmistakable. The pair are close enough so that their nipples are almost against each other. This is only the beginning of the candid nature of the pictures contained within "Union."
Gubin chronicles the slow deliberate undressing of the two models as they assist each other in disrobing the scant underclothing they both wear at the opening of the series. The photographer provides an up close photograph of Katya and Natasha that highlights the innate prettiness the two women hold. The picture also presents an image of the two models holding each other and laughing about the secrets they share. This picture evidences the fun these two are having during their play date.
Natasha is photographed upon bended knees with her mouth set upon the bosom of Katya in the following picture. Katya bolding eyes Gubin's camera and invites viewers to join the two women as they caress and entertain one another. Katya retains her thigh high stockings which lends a heightened degree of sensuality to the entire gallery.
Natasha assumes a more dominant position in the final picture from "Union". Katya is bent over and pressing her buttocks into Natasha's private area. Natasha holds tightly onto a handful of Katya's dark hair as she pushes back. Ecstasy is the only word that describe the emotion present on the faces of both women as they explore the boundaries of their relationship.
MetArt Gallery
Natasha: "Sinful" by Vitali Gubin
Natasha first appears with her ash-blonde tresses upswept so that her lovely face is visible without any obstructions. She wears a tiny black shirt that reveals her ultra-flat stomach and slender tapered waist. A pair of lime green panties and coordinating socks are also part of the attire worn by Natasha. A belt encircles her hips.
Gubin chose a cover photograph to introduce this series that showcases Natasha's phenomenally toned buttocks. This model's physique is athletic and lithe. In this photograph, she kneels on the back of an ebony sofa that blends into the background so that the couch is almost indistinguishable. Natasha's bronzed skin tones slow against the dark backdrop. A belt composed of lime geometric diamond shapes lays upon her naked flesh and accentuates the model's figure. Natasha is pictured with an over-the-shoulder glance in the direction of Gubin's camera and her beauty is mesmerizing. This model's eyes are penetrating and are one of her most defining features.
Natasha also poses in a stance that features a profile view of her amazing form. Gubin captures a side view of the model as she begins to shed her tiny panties. A demure smile graces Natasha's lips. This photograph reveals how slender this model actually is. Her firm and pert breasts are also a focal point of this picture.
Gubin uses shadows and a dark background so effectively throughout this series. Natasha is clearly the centerpiece of the series without a complicated background or an abundance of props. The model continues to remove her panties in the following photograph. She sits upon the sofa with one foot raised as her panties are about to be tossed aside. The darkness between the model's legs is visible and a silver chain draws the attention to this space. The model retains the embellishment of her belt and a silver choker adorns the model's graceful neck.
The last photo featured from this gallery presents a frontal view of Natasha in a kneeling position. The model turns her face to the side and allows her arms to rest at her side. Her hands lay upon her thighs that are slightly parted. Natasha has fully removed her clothing and a full survey of her breathtaking form is possible.
Wednesday, March 28, 2007
MetArt Gallery
Karina B: "Axium" by Voronin
A sauna decked out in natural wood tones is the setting against which Voronin has chosen to frame this powerful model. Her skin is shiny with oil. Karina enjoys the sauna to cleanse her body's impurities and to keep her skin glistening with vitality. It is a place of peace and tranquility away from her busy routine of work, play, and schedules.
Voronin has chosen a photograph of Karina facing the camera full on. The model's eyes are mesmerizing. Karina cups her large breasts in both hands and poses in an almost lunging position. Every area of the model's toned body is slick with oil. The effect is titillating. This photograph beckons viewers to see more of this fascinating model.
There are several up close photographs included within this series of Karina's head and face. The close range only solidifies the complete beauty this youthful model holds. Karina faces the camera with her arms raised above her head in the next selected picture. Her glowing complexion, bright eyes, and glossy lips are hypnotic. The model's impossibly long straight brown hair emphasizes rather than distracts from Karina's natural allure. The models full breasts are showcased also with this photograph from a side view.
The next photograph will steal away your breath with its intensity. Karina's feminine treasures are vividly highlighted. Karina faces the camera with one of her legs propped against the wall of the sauna. This open stance reveals the slickness between her parted legs. The model's flat abdomen flows seamlessly into her slender torso. Karina's buxom breasts are bared to be savored by the eye. Tendrils of the model's hair are wet with perspiration and rest upon one of her shoulders.
Karina assumes almost the exact same position in another photo within the series but it is her backside that faces Voronin's camera lens. The model's damp hair forms a as it trails down her back. The roundness of Karina's buttocks is enthralling. The shapeliness of Karina's legs is also notable in this particular picture. The model's pretty facial profile is another aspect that catches the eye.
The last picture taken from this gallery exemplifies the artistic beauty and definition of this model's body. Karina kneels upon a bench nestled into a corner of the sauna. Her arms are outstretched above her head and her hands actually rest on the ceiling. Karina's head is thrown back to such a degree that the focus of the picture is clearly the physical fitness of the model and her supreme feminine presence.
MetArt Gallery
Presenting New English Model Laula by Michael White
The cover photo explicitly invites viewers to review the images of Laula contained within this gallery. The model sprawls her form atop a bed fitted with white sheets. Natural lighting illuminates the surroundings of Laula. The model is featured in a crawling position. The angle of White's camera especially highlights the backside of Laula as well as the model's exceptional natural facial beauty.
A head shot of this English beauty reveals a wide-eyed youthful young woman with a determined gaze. A hint of freckles faintly dot the bridge of the model's nose and cheeks. Laula's lips are slightly parted and she is ready to challenge any preconceived notions about the role of a proper English woman.
A brightly lit window provides most of the lighting contained within this gallery. The lighting is a large part of the background of the next photo. Laula is photographed by White bending over the edge of the bed highlighted throughout the gallery. A glimpse of a smile is part of the model's countenance. Her large expressive eyes are partly occluded by her wavy auburn locks. Laula's breasts are firm and prominent in this particular picture.
White provides a candid and erotic glimpse of this young model posing in a position of relaxation and repose. Laula leans back at the same time that she pulls a white sheet between her parted thighs. A jeweled bracelet circles the forearm the model uses to cling to the sheet pulled between her legs. A serious and determined expression is unmistakable in the way that Laula meets the exploration of the photographer's camera lens. Dimmed lighting is a definite part of the setting that so accurately highlights the vulnerability and gentle beauty of this young English lass. The scant scintillating lingerie worn by Laula is scarce but at the same time entirely more than enough to intrigue the discriminating voyeur enthralled by youthful beauty.