Thursday, April 05, 2007
MetArt Gallery
Jade: "Itaka" by Gubin
The sand-colored brickwork of the fireplace and the tawny fur rug are the foundational color palate against which the fair-skinned model is presented. The irresistible siren stretches her exquisite form upon a pedestal of softness. A turquoise beaded necklace is an accessory that accentuates the blue-green tones of the model's doll-like eyes. Black thigh-high stockings cling to Jade's shapely legs and a sheer flowing wrap rests upon her slender hips.
The introductory photograph selected by Gubin for this series is a testament to this model's willingness to share her presence with all who dare to behold her bewitching gaze. Jade poses in a sitting position with a piece of her lingerie strategically placed so that viewers are enticed to explore the wonders she has in store for them.
Jade is a young woman confident in her desirability. The sensual redhead is never hesitant to reveal her most intimate treasures. This is clearly evident from the outset of this gallery as Jade first appears with her full breasts bared and the rest of her fine physique barely covered. Jade next poses in a stance that offers a profile view of her form. The model's chin is slightly upturned so that her sculpted facial bone structure is showcased. The edges of the flames behind her accentuate the fiery tones of her long flowing hair. The tops of her lacy thigh high stockings accent the sublime femininity this model embodies.
A scintillating expose of Jade's erotic nature is explored in the next photo from this gallery. The model is seated upon the floor with her thighs separated in such a way that the smoothness between them is visible. Jade's eyes are cast downward while one her delicate hand rests upon one of her voluptuous breasts.
The last photographs from this series picture Jade's ivory flesh without her stockings or lingerie. One of the most intriguing pictures from these latter shots captures the burning embers and dancing flames from the fireplace behind Jade's nude form. The model rests her knees and buttocks upon the softness of a plush rug. Each curve of Jade's torso is distinct and defined.
DANIELLE: "GIRLS FROM TEXAS" by JASON SELF
LUBIKA
LIZA: "LUBIKA" by VORONIN
MINX - THE PHOTOS
BIJOU: "MINX - THE PHOTOS" by TIM FOX
VENTA
VIKA: "VENTA" by MAX STAN
MISTRESS
ADRIANA: "MISTRESS" by TIM FOX
WARMTH
KATYA: "WARMTH" by VORONIN
PLAY
MASHA: "PLAY" by VORONIN
JINISSI
ALINA: "JINISSI" by BREDON
MetArt Gallery
Jade: "Aleus" by Gubin
The background for this photo shoot is composed of a well-appointed sitting area. The model is comfortable in her surroundings just as she is always confident with her modeling talents when she gets in front of Gubin's camera. The photographer also integrates an antique-like mirror into the series which results in some unique photographs worthy of special recognition.
The introductory photograph for "Aleus". is a picture of Jade standing in front of a multi-paned window which allows natural light to flow over the model's nude flesh. Jade's icy blue eyes are vibrant and mesmerizing. This is a model capable of creating the illusion that she is exposing her most intimate treasures specifically for each individual viewer's erotic pleasure. Jade's long straight locks are secured at the nape of her neck into a simple ponytail. It is a look that accentuates her doll-like facial features.
As this photo shoot progresses, Gubin chronicles Jade as she carefully removes the clothing she first appears wearing. The next picture featured from this collection presents an image of Jade in the process of removing her blouse. The model's exquisite breasts are displayed without reservation. The eye is tempted to follow the gentle curves of Jade's ultra-feminine physique. A velvet upholstered sitting chair is subtly positioned behind the model.
The final picture featured is one that can be described as hauntingly timeless and dramatic. Jade gazes at her reflection captured within an ornate oval-shaped ivory mirror. The model is completely nude. Her round buttocks and smooth back are the angle from which the photographer positions himself when taking the picture. The reflection of Jade includes a front view of her creamy breasts and her lovely face. The model poses with a hand resting on her chest and this is also captured in her reflection. The model's fiery red hair trails down her backside like the flaming tail of a comet. Jade is a creature whose brand of beauty is ethereal. This photograph manages to embody this quality found within this unique model's presence.
Wednesday, April 04, 2007
VERONIKA: "MAGIAX" by VORONIN
MYST
ANNA: "MYST" by ALEX DEONISIUS
WARMTH
KATYA: "WARMTH" by VORONIN
MISTRESS
ADRIANA: "MISTRESS" by TIM FOX
FIGURANTE
SCARLETT: "FIGURANTE" by GIOVANNI NOVA
MIKIRA
NASTYA: "MIKIRA" by MAX STAN
ISSIMIN
KARIRA: "ISSIMIN" by MAX ASOLO
RINATA
OLGA: "RINATA" by SLASTYONOFF
GIRLS FROM TEXAS
DANIELLE: "GIRLS FROM TEXAS" by JASON SELF
KOSIK
ANGEL: "KOSIK" by TIM FOX
MetArt Gallery
Katya C & Natasha G : "Union The Photoshoot" by Gubin
White walls, a window, scattered potted greenery, and a polished wooden floor are the primary elements against which the women are showcased against. The natural backdrop emphasizes the intimacy these two women share. The depth of this intimacy unfolds as the scintillating series unfolds.
The introductory photograph for this photo shoot suggests a sense of romance shared by Katya and Natasha. The two are pictured as if they are in the midst of a slow sensual dance. The beguiling faces of the women are within inches of one another. The eye contact between the two is unmistakable. The pair are close enough so that their nipples are almost against each other. This is only the beginning of the candid nature of the pictures contained within "Union."
Gubin chronicles the slow deliberate undressing of the two models as they assist each other in disrobing the scant underclothing they both wear at the opening of the series. The photographer provides an up close photograph of Katya and Natasha that highlights the innate prettiness the two women hold. The picture also presents an image of the two models holding each other and laughing about the secrets they share. This picture evidences the fun these two are having during their play date.
Natasha is photographed upon bended knees with her mouth set upon the bosom of Katya in the following picture. Katya bolding eyes Gubin's camera and invites viewers to join the two women as they caress and entertain one another. Katya retains her thigh high stockings which lends a heightened degree of sensuality to the entire gallery.
Natasha assumes a more dominant position in the final picture from "Union". Katya is bent over and pressing her buttocks into Natasha's private area. Natasha holds tightly onto a handful of Katya's dark hair as she pushes back. Ecstasy is the only word that describe the emotion present on the faces of both women as they explore the boundaries of their relationship.
MetArt Gallery
Olya: "Shiner" by Natasha Schon
Olya possesses the type of beauty that takes you by surprise. Her youthful face betrays her womanly physique. Olya's vibrant eyes are complimented by dark natural brows and impossibly long eye lashes. Her complexion exudes the essence of vitality. Her slightly blushed cheeks are so smooth their contours beckon to be traced by eager fingers. The model's lips shimmer with cherry red gloss. Olya's short tousled hairstyle perfectly accentuates her flawless appearance.
The model first appears dressed in a form-fitting white top and coordinating flowing skirt. The shirt, accented with shoulder ties, reveals a hint of the model's midriff. Olya's skirt is seductively secured by a single strip of material and gives viewers a glimpse of the model's slender leg. Schon is a master of innuendo. A fascinating fireplace provides the background for these photographs. Ornate carvings adorn the base and columns of the piece. A canvas of lime green hues adds colorful interest to the photo shoot.
Olya's breasts are full and ripe. Her cleavage commands attention as is highlighted as the model removes her tight-fitting blouse in a slow sensual strip-tease captured by Schon. One of the first photos featured from this collection reveals Olya lying upon her back against a pool of shadows. The model's flesh is laid upon a fur rug. The lines and curves of her figure are on display. Olya's skirt barely covers the smoothness between her thighs.
Schon next offers viewers the opportunity to survey this model's lovely derriere. Olya poses upon her side without any clothing. Her skirt is positioned between her legs. Her flesh is smooth and flawless. There is a sense of vulnerability present in this photograph.
The final picture showcased from this series shows Olya posed in a sitting position totally disrobed. The model's facial expression is intriguing. Olya gives little indication about the thoughts that lie behind her stunning eyes. Remnants of tulle surround the model's legs and the exposed area between them. Olya's bosom is spectacular and clearly in view.
Tuesday, April 03, 2007
MetArt Gallery
Julia V & Yana C: "Malizia" by Poberejnic Lilia
Julia and Yana first begin sharing treasures with one another and talking about the items they have found in their surroundings. The scene is reminiscent of two girlfriends spending a rainy afternoon together in an attic exploring forgotten treasures. As "Malizi". unfolds, it is evident that Julia and Yana are about to delve into the exploration of the uncharted territory of each other.
Though the series focuses primarily on the two models together, the photographer also provides many photographs of each model individually. This allows viewers the opportunity to appreciate the unique charms of each model independently. A basket of ripened sweet corn is a dominant prop throughout much of this gallery. Lilia captures the two models posing with an ear of corn in such a way that jump-starts the imagination.
A soft image of Julia and Yana embracing in the nude is the main composition of the cover photograph introducing "Malizia". Both models are lost in the smoothness and warmth of one another's bodies. The intimacy between the two is palpable.
Lilia offers a close look at the natural beauty these two enchantress' possess in the next photograph. The blushed cheeks and shadowed eyelids of Julia and Yana are subtle but emphasize their shared vitality and youth. The background is almost nonexistent in this picture. The focal point of the still is clearly the faces of these alluring models.
The women aren't afraid to express their playful side for the camera either. The following picture reveals the buttocks of Julia. Her white and pink dress clings to her slender waist. Julia is laughing and Yana flashes a smile in the direction of Lilia's camera. Yana's long wavy hair hangs in ringlets around her face.
The last picture reviewed from this gallery is a full view of the physiques' of Julia and Yana. The models are seated upon weathered chests with their flesh totally exposed. A long strand of beads hangs from Yana's neck and trails to the darkness that rests between her parted sides. Julia is seated beside her and the model's pert breasts are bared.
MetArt Gallery
Tanya: "Aria" by Voronin
Tanya's long flowing mane is wild and untamed. One can imagine that this young woman mirrors these qualities with her lovers. The auburn hue of her tresses is rich and contrasts solidly against her unblemished complexion. The model's full lips are tinted with the prettiest shade of pink. One of the most distinctive aspects of Tanya's gaze is her sweeping arched brows. The definitive lines that frame them suggest that she has a bit of mischief up the three-quarter length v-cut sleeves of her blouse.
The cover photograph from this series features the model kneeling upon a bended knee with her back against a wooden door. Her blouse is pulled up so that her breasts are bared. Several strands of luminous beads adorn the models smooth neck and she wears a pair of open-toed high heels. Tanya's long hair cascades over one of her shoulders and partially covers one of her eyes. The effect is extremely seductive.
Another selected picture from this collection features the model perched upon a white chair. She poses with a hand placed delicately upon one of her exposed breasts. Pink and white sheers provide the backdrop for this still photograph. Tanya's flat abdomen and the space between her legs are displayed through the lens of Voronin's camera. A serene expression shadows the model's pretty features as she invites viewers to survey her fine physique.
It would be a pleasure to dine at the table that Tanya poses upon in the next highlighted photo. The model's gorgeous facial beauty is undeniable in this photograph. White sheers and a white table provide a blank canvas against which her stunning good looks are displayed. The final photo truly showcases the curvaceous qualities of this model's figure.
Monday, April 02, 2007
MetArt Gallery
Kristina B: "Infinitus" by Voronin
The introductory photograph for "Infinitus". highlights all of these attributes and more. The model pulls her hair back from her face so that her glowing complexion can be admired. Kristina's facial features are perfectly symmetrical and her prominent chin is darling. The toned voluptuous physique of Kristina is awe-inspiring. Faint tan lines are present in the model's bikini area openly displayed in this picture. Kristina's breasts are pert and full. They are proportioned perfectly to the rest of her body. The model is photographed in a kneeling position. She holds her sequined blouse in one of her hands directly in front of one of her slender thighs.
Kristina is surrounded by colorful pastel drapes as the gallery begins. Lighting is placed behind the curtains for an interesting effect. The petite brunette wears a silver sequined blouse that is deeply cut in the back. The browned tones of the model's flesh are bared. Kristina's buttocks are void of panties even from her first appearance. It's evident that the teen is willing to share every aspect of her form with viewers. The photo shoot chronicles a scintillating strip tease by Kristina.
Voronin provides an up close photograph of Kristina that is nothing short of unsettling in its simple beauty. The picture showcases the model's broad forehead, doe-like chocolate eyes, and precious lips. Tightly woven peach curtains are barely visible behind the model but compliment the peach hues of Kristina's suntanned skin. Kristina's wavy ebony locks cascade around either side of the model's face. The shallow valley between Kristina's breasts is emphasized by a loose tendril of hair. One of the model's nipples is visible at the bottom of the picture.
The next picture captures Kristina in the middle of her sensual strip tease. The model pulls the front of her sparkling top below her full breasts so they are prominently displayed for Voronin's camera. Light filters through the pastel sheers hanging beside Kristina so that her form is illuminated. The model tilts her head to the side and upward and shifts her weight to one of her legs. The assumed stance is one of defiance. Kristina has the ability to communicate an array of expressions and moods with her body language and eyes.
Seduction and sensuality are the overwhelming emotions elicited by the final picture reviewed. Kristina is photographed as she poses upon her knees and both arms. The model inches her way toward Voronin's camera like a huntress preparing to pounce. Kristina's hair is untamed and only adds to the visceral hunger suggested by Kristina's body and countenance. The woven curtains in the background of the photograph remind one of mosquito netting used within jungle environments.
MetArt Gallery
Natasha G: "Premier" by Gubin
The background for "Premier". consists of a fireplace, greenery, and champagne colored drapes. These details are unobtrusive, however, throughout the entire series. Natasha is clearly the lotus of attention. The sandy-haired model has no difficulty garnering that attention either as she reveals each inch of her taut and tanned flesh.
Natasha is photographed in a semi-sitting position in the picture announcing "Premier". She is clad only in a pair of black stockings and a lace garter belt. The garters are not attached to the hosiery, however. One of the garters strays between the intimate space which lies between Natasha's toned thighs. Natasha stares sensuality into the eye of Gubin's camera. Her mouth is open and offers a glimpse of the model's stunning white teeth.
Natasha wears a skirt covered with geometric patterns. Colors of teal, green, tan, and black are part of the tapestry of the print. Natasha's hair is pulled into a bun at the back of her head and secured with a teal hair accessory. A double stranded necklace of ivory pearls encircles the model's neck. Her facial expression is relaxed and peaceful. Natasha is comfortable in front of the camera. One of the diva's hands rest upon her abdomen while the other is placed behind her head.
The firmness of Natasha's petite bottom is evident in the next photograph. The model presses her hands against a richly textured wall. Her buttocks curve just beneath the black lacy garter circling the model's hips. Natasha eyes the camera as she assumes this position.
Natasha exhibits her electric sense of sex appeal in the final picture featured from "Premier". The model kneels upon a hardwood floor. She rests one of her hands on a deep green leather sofa. Natasha keeps her stockings and garter on throughout the entire series. The lighting in this picture is subdued and adds to the sense of drama that the model evokes. Sensuality is present and overwhelms the entire composition of the photo. This is a talent that Natasha brings to each one of her appearances and perhaps one of the reasons she consistently ranks as one of the top models at Met-Art.
Sunday, April 01, 2007
MetArt Gallery
Liza and Jenya aka Katie Fey: "Encore" by Voronin
Liza wears lime green lingerie with scarlet accents to compliment the scarlet bra and panty set worn by Jenya. The long shapely legs of both models are clad with leggings. Liza and Jenya each wear high heels that further emphasize their tall slender physiques. As the photo shoot progresses, black satin ribbons encircle the model's necks. They retain their sexy stockings until the end of the photo shoot.
The photograph introduction to the series is astounding in the way that the model's physiques are emphasized. The two are pictured standing atop a bed against a backdrop of mint green walls. They are posed in a suggestive stance. Liza is positioned behind Jenya. Liza pulls at the dark-haired model's long thick mane as shadows outline the unbelievable curves and lines of the two women's bodies.
The next picture is from the opening of the photo shoot. Both models are dressed in lingerie. Jenya pulls Liza close to her with the placement of her manicured hand upon the blonde's forehead. Jenya's face is pressed against Liza's hair. Liza crosses one of her arms over Jenya's body and pulls the model closer to her by pulling on one of her hips. The models' legs are intertwined to suggest an overwhelming sense of intimacy.
The third photograph highlighted from this collection speaks volumes even through the medium of still photography. The two gorgeous women are pictured in a kneeling position upon a bed. They lean toward one another, close enough for one of Jenya's breast to graze one of Liza's slender arms. Both women lock eyes with Voronin's camera as Liza poses with a single finger pressed to her lips. It is the universal message of "Shh! this is our secret". It is as if the models are inviting viewers to participate vicariously in their rendezvous under the condition that their erotic tryst is kept under wraps.
The forms of Liza and Jenya are again showcased in the final photo selected from this gallery. Jenya's muscular abdomen is one of the focal points of this photograph. The flaxen-haired model has a body that is toned beyond belief. Jenya's voluptuous body is positioned slightly behind Liza. She holds onto one of Liza's shoulders and places her open mouth upon one of Liza's shoulders in a carnal gesture. This is theme that dominates the entire series.
MetArt Gallery
Jade: "Itaka" by Gubin
The sand-colored brickwork of the fireplace and the tawny fur rug are the foundational color palate against which the fair-skinned model is presented. The irresistible siren stretches her exquisite form upon a pedestal of softness. A turquoise beaded necklace is an accessory that accentuates the blue-green tones of the model's doll-like eyes. Black thigh-high stockings cling to Jade's shapely legs and a sheer flowing wrap rests upon her slender hips.
The introductory photograph selected by Gubin for this series is a testament to this model's willingness to share her presence with all who dare to behold her bewitching gaze. Jade poses in a sitting position with a piece of her lingerie strategically placed so that viewers are enticed to explore the wonders she has in store for them.
Jade is a young woman confident in her desirability. The sensual redhead is never hesitant to reveal her most intimate treasures. This is clearly evident from the outset of this gallery as Jade first appears with her full breasts bared and the rest of her fine physique barely covered. Jade next poses in a stance that offers a profile view of her form. The model's chin is slightly upturned so that her sculpted facial bone structure is showcased. The edges of the flames behind her accentuate the fiery tones of her long flowing hair. The tops of her lacy thigh high stockings accent the sublime femininity this model embodies.
A scintillating expose of Jade's erotic nature is explored in the next photo from this gallery. The model is seated upon the floor with her thighs separated in such a way that the smoothness between them is visible. Jade's eyes are cast downward while one her delicate hand rests upon one of her voluptuous breasts.
The last photographs from this series picture Jade's ivory flesh without her stockings or lingerie. One of the most intriguing pictures from these latter shots captures the burning embers and dancing flames from the fireplace behind Jade's nude form. The model rests her knees and buttocks upon the softness of a plush rug. Each curve of Jade's torso is distinct and defined.